Mukha Mugam Returns to the Stage with “The View From Above,” A Macbeth-Inspired Political Satire
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MorePosted by Praveen Sudevan | 30th Jun 2022 | India, Playwriting, Review, Theatre and Politics
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MorePosted by Thuy Tran | 29th Jun 2022 | Australia, Review, Theatre for Young Audiences, Transmedia
Review: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything &...
Read MorePosted by Beverley Brommert | 28th Jun 2022 | Acting, LGBTQ+ Theatre, Review, South Africa
SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
Read MorePosted by Antonio Hernández Nieto | 27th Jun 2022 | Design, Review, Spain, Theatre and Gender, Theatre and Opera
A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
Read MorePosted by Philippa Wehle | 26th Jun 2022 | Interview, New York, Translation, United States of America
A Preview of a new translation of Molière’s Dom Juan for the 21st century by Gideon Lester and...
Read MorePosted by Jacqueline Goldfinger | 25th Jun 2022 | Dramaturgy, News, United States of America
I began my tenure as Chair of the LMDA Conference during the early days of COVID. This was back...
Read MorePosted by Sheila Chisholm | 24th Jun 2022 | Review, South Africa, Theatre and Politics
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set...
Read MorePosted by Craig Dalton | 23rd Jun 2022 | Australia, Musical Theatre, News
With nine Broadway musicals currently playing on Australian stages – and a further three set to...
Read MorePosted by Aleks Sierz | 22nd Jun 2022 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
Read MorePosted by Ivanka Apostolova Baskar | 21st Jun 2022 | Dramaturgy, France, Interview, Theatre and Politics, United Kingdom
There is always a cultural gap between scholars and artists, each group being suspicious of the...
Read MorePosted by Neeraja Murthy | 19th Jun 2022 | Acting, Devised Theatre, Essay, India
Production-oriented workshops culminate in ticketed Telugu plays in Hyderabad. A manager by day...
Read MorePosted by Aleks Sierz | 18th Jun 2022 | Dramaturgy, London, Playwriting, Review, Theatre and Decolonization, United Kingdom
In the past, most plays by black-British writers have been about the legacy of the Windrush...
Read MorePosted by Vassili Schedrin | 17th Jun 2022 | Dramaturgy, New York, Playwriting, Review, United States of America
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read MorePosted by Aprameya Manthena | 16th Jun 2022 | Applied Theatre, Essay, India, Theatre and Decolonization
Attired in a crisp white dhoti with a red zari border, bleached white shirt and angavastram, one...
Read MorePosted by Jonathan Kalb | 15th Jun 2022 | Musical Theatre, Review, Theatre and Decolonization, United States of America
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read MorePosted by Konrad Zielinski | 14th Jun 2022 | Playwriting, Review, United Kingdom
Konrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...
Read MorePosted by Fareeda Pyracha Ahmed | 13th Jun 2022 | Acting, Directing, Interview, New York, United States of America
Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...
Read MorePosted by Emily Cordes | 12th Jun 2022 | Adaptation, Review, Transmedia, United States of America
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read MorePosted by Jonathan Kalb | 11th Jun 2022 | Review, Theatre and Decolonization, Theatre and Gender, United States of America
Dominique Morisseau is aware that most of her fans see her as a predominantly naturalistic...
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