September 2022 - The Theatre Times

A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October

Posted by Andrew Agress | 29th Sep 2022 | LGBTQ+ Theatre, New York, News, United States of America

This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.

Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.

Posted by Christy Romer | 28th Sep 2022 | Europe, Interview, Playwriting, Theatre and Decolonization, Theatre and Politics

Young Europe IV is a large-scale artistic collaboration project to tackle the dominance of stories...

Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity

Posted by Aleks Sierz | 26th Sep 2022 | London, Palestine, Review, Theatre and Politics, United Kingdom

Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...

“Hostel Lights” at the Baxter

Posted by Megan Choritz | 24th Sep 2022 | Design, Review, South Africa, Theatre for Young Audiences

HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...

An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS

Posted by Trevor Boffone | 23rd Sep 2022 | Musical Theatre, Review, United States of America

Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...

VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank

Posted by Fareeda Pyracha Ahmed | 22nd Sep 2022 | Immersive Theatre, Interview, New York, Theatre and Science, United States of America

Technology and the theater are closer together than ever, and our hope for the planet may depend...

Dangerous Desires in “Marie It’s Time”

Posted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...

With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age

Posted by Miriama Young | 20th Sep 2022 | Australia, Design, Musical Theatre, Review, Transmedia

Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...

Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.

Posted by Michelle Arrow | 19th Sep 2022 | Adaptation, Australia, Review, Theatre and Disability

Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...

How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times

Posted by James Layton | 18th Sep 2022 | Applied Theatre, Education, Essay, Theatre for Young Audiences, United Kingdom

Suicide is the second highest cause of death in 15-to-29-year-olds around the world, according to...

Imagine/: Artificial Intelligence Comes to Theatrical Design

Posted by Michael Schweikardt | 17th Sep 2022 | Design, Interview, Theatre and Science, Transmedia, United States of America

Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...

“Who Killed My Father,” Young Vic

Posted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom

‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...

A Blast from the Past: Les Champignons de Paris by La Compagnie du Caméléon

Posted by Lara Cox | 15th Sep 2022 | Interview, Oceania, Producing, Theatre and Decolonization

On June 13, 2022, I spoke with Guillaume Gay, who is operational and artistic director of the...

Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre

Posted by Vassili Schedrin | 14th Sep 2022 | Dramaturgy, Essay, New York, Russian Theatre Abroad, United States of America

“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

Posted by Huw Griffiths | 13th Sep 2022 | Acting, Adaptation, Australia, Review

Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...

When Playwrights Complicate Dramatic Form: Recent Developments in African American Plays of the 2010s

Posted by Jade Thomas | 12th Sep 2022 | Belgium, Essay, Playwriting, Theatre and Decolonization, United States of America

African American drama, theater and performance has a rich and complex history. Only recently,...

Five Myths About Shakespeare’s Contribution to the English Language

Posted by Jonathan Culpeper and Mathew Gillings | 11th Sep 2022 | Essay, Theatre and Decolonization, Translation, United Kingdom

Shakespeare’s language is widely considered to represent the pinnacle of English. But that status...

“Flo & Joan,” Lund Comedy Festival

Posted by Duška Radosavljević | 10th Sep 2022 | Festivals, Musical Theatre, Review, Sweden, United Kingdom

Here’s a few things to start with. Following my recent relocation from London to the Swedish...

Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2

Posted by Kee-Yoon Nahm | 9th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation

To read Part 1 of this interview, click here. Nahm: Let’s talk now about Texas Aunt. I said...

Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 1

Posted by Kee-Yoon Nahm | 8th Sep 2022 | Interview, Playwriting, South Korea, Theatre and Politics, Translation

Yun Mi Hyun is a playwright based in South Korea. After writing fiction and poetry in her early...

Month: September 2022

A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October

Young Europe IV: Non-Dominant Voices in European Youth Theatre. Interview with Zoe Apostolidou and Emel Aydoğdu.

Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity

“Hostel Lights” at the Baxter

An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS

VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank

Dangerous Desires in “Marie It’s Time”

Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.

How Drama Can Help Open Up Conversations on Suicide for Young People in Post-Pandemic Times

Imagine/: Artificial Intelligence Comes to Theatrical Design

“Who Killed My Father,” Young Vic

A Blast from the Past: Les Champignons de Paris by La Compagnie du Caméléon

Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

When Playwrights Complicate Dramatic Form: Recent Developments in African American Plays of the 2010s

Five Myths About Shakespeare’s Contribution to the English Language

“Flo & Joan,” Lund Comedy Festival

Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 2

Daily Life under State Violence: Interview with South Korean Playwright Yun Mi Hyun, Part 1

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