#CzechVelvet Review: “Velvet Havel” At Rich Mix
“The great funeral of Havel, a grey-haired Casanova who smoked too much,” says Uncle...
Read MorePosted by Alison Miller | 30th Nov 2019 | Czech Republic, Musical Theatre, Review
“The great funeral of Havel, a grey-haired Casanova who smoked too much,” says Uncle...
Read MorePosted by Maria Delgado | 30th Nov 2019 | Argentina, Review, Spain
Romina Paula is perhaps best known outside Argentina for her work as an actress in seminal films...
Read MorePosted by Aleks Sierz | 30th Nov 2019 | London, Review, United Kingdom
Some news stories have a very long half-life. Their power to shock does not diminish; they...
Read MorePosted by Kennedy Fiorella | 30th Nov 2019 | Canada, China, Chinese Theatre Abroad, Review
The story of familial sacrifice is one that runs through Canadian identity. In Jeff Ho’s Trace, he...
Read MorePosted by Michael Schweikardt | 29th Nov 2019 | Design, Interview, Los Angeles, Theatre and Disability, United States of America
Scenic designer Sean Fanning recently designed a beautiful and provocative set for Jack Thorne’s...
Read MorePosted by Mert Dilek | 29th Nov 2019 | Adaptation, Italy, London, Review, United Kingdom
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
Read MorePosted by Frida Sandström | 29th Nov 2019 | Essay, Sweden, Transmedia
If modernity is a stage, the artwork is its main prop. And in a culminating planetary crisis,...
Read MorePosted by Aleks Sierz | 28th Nov 2019 | London, Review, Theatre and Age, United Kingdom
Actor Miriam Margolyes is a phenomenon. Not only has this Dickensian specialist starred in...
Read MorePosted by Abhimanyu Acharya | 28th Nov 2019 | Canada, India, Review
SAWITRI Theatre, based out of Mississauga, Ontario, recently paid a tribute to the acclaimed...
Read MorePosted by Clement Lee | 27th Nov 2019 | Hong Kong, Interview, Transcultural Collaborations
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
Read MorePosted by Maria Delgado | 27th Nov 2019 | Argentina, Review, Theatre and Gender
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
Read MorePosted by Ahram Online | 27th Nov 2019 | News, Puppetry, Syria, Theatre for Young Audiences
Walid Abu Rashed walks past bombed-out buildings in war-torn northwest Syria, carrying a large...
Read MorePosted by Mert Dilek | 26th Nov 2019 | Dramaturgy, News, United Kingdom
Founded in 2001, the Dramaturgs’ Network is the only organization in the United Kingdom solely...
Read MorePosted by Jane Baldwin | 26th Nov 2019 | Boston, Review, Theatre and Politics, United States of America
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores ancient...
Read MorePosted by John Brunner | 26th Nov 2019 | France, Germany, Review, Translation
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
Read MorePosted by Jane Baldwin | 25th Nov 2019 | Boston, Review, Theatre and Politics, United States of America
Admissions is the third work of Joshua Harmon to appear at SpeakEasy in Boston’s South End. The...
Read MorePosted by Aleks Sierz | 24th Nov 2019 | Documentary Theatre, London, Review, Turkey, United Kingdom
Truth is the first casualty of war, and often it is journalists who have to pay the price. Killing...
Read MorePosted by Mert Dilek | 24th Nov 2019 | London, Review, Theatre and Art, Translation, United Kingdom
What’s the use of thinking about the future? What’s the use of thinking about the future in a...
Read MorePosted by Lisa Marie Bowler | 24th Nov 2019 | Dance Umbrella 2019, Festivals, Review, Theatre and Dance, United Kingdom
For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...
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