Cultural Participation Policies: A Poverty of Ambitions
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Read MorePosted by David Stevenson | 4th Nov 2019 | Essay, Management, United Kingdom
This series of articles was commissioned in preparation for the IETM Plenary Meeting in Rijeka,...
Read MorePosted by Alexander Mantush | 4th Nov 2019 | Belarus, Europe, Interview
Oksana Haiko is an actress, art-manager and one of the founders of Brest-based theatre “Kryly...
Read MorePosted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review
Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....
Read MorePosted by Alastair Blanshard | 4th Nov 2019 | Australia, Musical Theatre, Review
Comedy often succeeds where tragedy fails. Fangirls, the pop musical which premiered on Thursday...
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A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 