“Dust” At D-CAF: An Operatic Dystopia With An Environmental Message
From Denmark to Cairo’s D-Caf Festival, Dust by Sew Flunk Fury Wit presents a blend of opera...
Read MorePosted by Soha Elsirgany | 23rd Apr 2019 | Egypt, Festivals, News
From Denmark to Cairo’s D-Caf Festival, Dust by Sew Flunk Fury Wit presents a blend of opera...
Read MorePosted by Wendy Arons | 23rd Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Words, such tricky things! So vital to our survival as social creatures, yet so easily mis-fired...
Read MorePosted by Akarsh Khurana | 23rd Apr 2019 | India, Management, News
With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...
Read MorePosted by Ahram Online | 23rd Apr 2019 | Acting, Egypt, News
El-Fakharany will be accompanied by many famous actors at Cairo performance of King Lear,...
Read MorePosted by Patrick Langston | 22nd Apr 2019 | Canada, Review
Life will be different this time,” says young, hopeful Marie-Joseph Angélique at the beginning of...
Read MorePosted by Christine Deitner | 21st Apr 2019 | Los Angeles, Puppetry, Review, United States of America
The press for the show promises audience interaction and improv but the way both are utilized here is utterly impressive. In three of those many “Master of the House” reprises, Flati and Makarayk sing songs about three members of the audience who have volunteered and base their verses off of the volunteers entirely. This is a talented cast of truly funny people who can really, really sing. And if you are a fan of any Muppet-inspired vehicle, it’s hard not to be jealous of those three volunteers for they get to interact with such beautifully crafted characters.
Read MorePosted by Maria Delgado | 21st Apr 2019 | Review, Spain
Federico García Lorca, Spain’s best-known twentieth-century dramatist and poet, has been conjured...
Read MorePosted by Romy König | 21st Apr 2019 | Israel, News
Video artist Yael Bartana blurs the boundaries between fact and fiction: her pieces are powerful...
Read MorePosted by Lyn Gardner | 21st Apr 2019 | Essay, London, Participatory Theatre, United Kingdom
You can read this article in French here. This series of articles, commissioned together...
Read MorePosted by Emad Mohammadi | 20th Apr 2019 | Iran, Management, News
Around fifteen years ago performing arts in Tehran were bound to perform in six major venues...
Read MorePosted by Aleks Sierz | 20th Apr 2019 | London, Review, Theatre and Politics, United Kingdom
Theatre can give a voice to the voiceless — but at what cost? Abhishek Majumdar, who debuted at...
Read MorePosted by Jane Baldwin | 20th Apr 2019 | Review, United States of America
Hansol Jung’s Cardboard Piano explores love, hate, war, sexuality, and religion in Northern...
Read MorePosted by Jonathan Kalb | 20th Apr 2019 | New York, Review, United States of America
At the risk of throwing a wrench in your schedule, you really do have to drop everything (for the...
Read MorePosted by Michael Appler | 19th Apr 2019 | New York, Review, United States of America
“I’m being pillaged and raped. I’m being pillaged and I’m being raped. And I don’t like it,” says...
Read MorePosted by Trevor Boffone | 19th Apr 2019 | New York, United States of America
What lengths would you go to forget about the greatest pain of your life? Losing a child, a...
Read MorePosted by Ryan Pepper | 18th Apr 2019 | Canada, Review
The latest play in the TACTICS Mainstage Series of local independent theatre, Swedish Furniture by...
Read MorePosted by Maria Delgado | 18th Apr 2019 | Review, Spain
José María Pou is an actor who knows how to hold an audience and his star turn in Moby Dick is a...
Read MorePosted by Abigail Weil | 17th Apr 2019 | Design, Devised Theatre, Musical Theatre, New York, Review
In 1919, following the devastation of the First World War, a movement arose to aid in the...
Read MorePosted by AeRhee Lee | 17th Apr 2019 | New York, Review, Theatre and Politics, United States of America
Words that should mean something were thrown across the stage as a light beam, giving a glimpse of hope that somehow, music or singer will communicate a genius who saw ugliness in his fellow human yet wanted to please, to serve them, who wrote he was never tired of serving, pleasing.No, that did not happen.
Read MorePosted by Lauren Dubowski | 16th Apr 2019 | Germany, News, Producing, Theatre and Politics, Transcultural Collaborations, Ukraine
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
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