“Crippled,” The USCIS, And The Importance Of Disability As Culture
It seems simple enough. One is invited to perform somewhere, fills out the necessary paperwork,...
Read MorePosted by Cortland Nesley | 16th Apr 2019 | Canada, Review, Theatre and Disability
It seems simple enough. One is invited to perform somewhere, fills out the necessary paperwork,...
Read MorePosted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview
Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...
Read MorePosted by Nidhi Adlakha | 15th Apr 2019 | India, News, Theatre and Art
With sculpture, weaving, and puppetry, Wandering Artist’s immersive fine arts course is a smart...
Read MorePosted by Farinaz Kavianifar | 14th Apr 2019 | Interview, Iran, LGBTQ+ Theatre, Theatre and Gender
February 15, 2019, Café Markov, Tehran, Iran Sāmān Arasṭoo is an Iranian actor and theatre...
Read MorePosted by Michael Appler | 14th Apr 2019 | New York, Review, United States of America
Emily Sun begins her book Succeeding King Lear with words from the philosopher of...
Read MorePosted by Jacob Juntunen | 14th Apr 2019 | Festivals, News, United States of America
Curated by Rachel Tibbetts and Ellie Schwetye, produced by Slightly Askew Theatre Ensemble (SATE)....
Read MorePosted by Christine Deitner | 13th Apr 2019 | Los Angeles, Playwriting, Review, United States of America
With a President in the White House whose ethics seem to be in question on an hourly, if not...
Read MorePosted by Alexander Mantush | 13th Apr 2019 | Belarus, Design, Essay, Theatre and Disability
In order to demystify Belarusian theatre for those, who are not familiar with it, it might be...
Read MorePosted by Michael Appler | 13th Apr 2019 | Musical Theatre, New York, Review, United States of America
The jukebox musical isn’t so named merely for its carousel of beloved pop tunes. It also puts to...
Read MorePosted by Trevor Boffone | 13th Apr 2019 | Dallas, Review, United States of America
I first met Marisela Treviño Orta at the Encuentro Theatre Festival in 2014. While we quickly hit...
Read MorePosted by Abigail Weil | 12th Apr 2019 | New York, Review, United States of America
If gender, as we’re often told, is a construct, then some women are skyscrapers. These are the...
Read MorePosted by Maria Delgado | 12th Apr 2019 | Documentary Theatre, Review, Spain
Presented as a double bill alongside Jauría (English title Pack) at Madrid’s El Pavón Teatro...
Read MorePosted by Aleks Sierz | 11th Apr 2019 | London, Review, United Kingdom
Every fairy tale is a cauldron of emotion. These are tales that steam with resentments flare-up in...
Read MorePosted by Christine Deitner | 11th Apr 2019 | Los Angeles, Review, Theatre and Age, United States of America
The latest guest production at Odyssey Theatre in Los Angeles is Grant Woods’ The Things We...
Read MorePosted by Megan McCormick | 11th Apr 2019 | Boston, Review, Theatre and Opera, United States of America
Classical opera is a wonderful art form because, in so many ways, it is timeless. The music may be...
Read MorePosted by Jane Baldwin | 10th Apr 2019 | Boston, Review, Theatre and Politics, United Kingdom, United States of America
The National Theatre’s production of J.B. Priestley’s 1945 An Inspector Calls now playing at...
Read MorePosted by Alvina Ruprecht | 10th Apr 2019 | Acting, Canada, Immersive Theatre, Review
The Arts Court Theatre is the perfect intimate space for the experimental performance piece...
Read MorePosted by Vikram Phukan | 9th Apr 2019 | India, Musical Theatre, News
The term ‘musical theatre’ might conjure up visuals of the Broadway-style extravaganza and its...
Read MorePosted by Aleks Sierz | 9th Apr 2019 | London, Review, United Kingdom
Contemporary British theatre loves time travel — and not just to the past. It also enjoys...
Read MorePosted by Jonathan Kalb | 9th Apr 2019 | Canada, Musical Theatre, Review
Come From Away, a relentlessly peppy new musical by the Canadian husband-wife team David Hein and...
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