“Mumburger” At Off The WALL Productions (Carnegie, PA) And “The Double Threat Trio” At Pittsburgh CLO
Mumburger The tagline in the publicity for Sarah Kosar’s new play Mumburger reads “a surreal play...
Read MorePosted by Wendy Arons | 31st Mar 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Mumburger The tagline in the publicity for Sarah Kosar’s new play Mumburger reads “a surreal play...
Read MorePosted by Maria Delgado | 31st Mar 2019 | Review, Spain
Carme Portacelli’s current season at the Español theatre has focused on stories about women by...
Read MorePosted by Abigail Weil | 31st Mar 2019 | Adaptation, New York, Review, United States of America
You know The Thousand And One Nights both better and worse than you realize. You may know it by a...
Read MorePosted by Marié-Heleen Coetzee | 31st Mar 2019 | News, South Africa, Theatre and Politics
World Theatre Day reminds us that theatre offers a means through which to make meaning of our experiences in our historical, social and political contexts by storying and re-storying modes of human (dis)connection.
Read MorePosted by Aida Rocci | 31st Mar 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
Recollection takes up to six participants in a thrilling journey about the importance of memories and personal data. Going beyond the sensational premise, the budding Any One Thing ambitiously explores the ideas of ‘personalized’ and ‘immersive’ theatre in depth, taking the genre to the boundaries of what is real.
Read MorePosted by Lisa Harper Campbell | 31st Mar 2019 | Acting, Australia, Review
In a new one-man production, Renato Musolino brings George Orwell’s classic novella, Animal...
Read MorePosted by Christine Deitner | 30th Mar 2019 | Los Angeles, Review, United States of America
It is the Odyssey Theatre’s 50th Anniversary Season and in honor of this wonderful accomplishment the company starts off with an intimate and powerful bang with Brian Friel’s “Faith Healer” as directed by Ron Sossi, the company’s artistic director. In the program notes Mr. Sossi points out that though the theatre launched in 1969 and the play didn’t appear on the scene until the late 1970s, the play seems a “most apt prelude to the[ir] retrospective” season due to its innovative role in developing what we now know as the ‘monologue play’. It was also the first play the company performed when they opened their new/current space 30 years prior on S. Sepulveda Blvd in Los Angeles.
Read MorePosted by Abigail Weil | 30th Mar 2019 | Adaptation, New York, Review, United States of America
Creating riveting theater out of the problem of a bureaucratic oversight is no easy feat. Luckily...
Read MorePosted by Alexander Nderitu | 30th Mar 2019 | News, Playwriting, South Africa
Each playwright on the shortlist was paired with an expert from the international ASSITEJ network of professionals for online mentoring, coaching, and dramaturgy.
Read MorePosted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
Read MorePosted by Abigail Weil | 29th Mar 2019 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...
Read MorePosted by Michael Appler | 29th Mar 2019 | New York, Review, Theatre and Disability, United States of America
We tend to think of disability as unlike other monuments of cultural identity, like race or...
Read MorePosted by Rajka Stefanovska | 29th Mar 2019 | Canada, Review
Love And Human Remains explores the everlasting questions of human existence–who we are, what we...
Read MorePosted by Julian Meyrick | 29th Mar 2019 | Australia, Festivals, LGBTQ+ Theatre, Review, Switzerland
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
Read MorePosted by Jack Wernick | 28th Mar 2019 | Education, News, Theatre and Politics, Theatre for Young Audiences, United States of America
Broadway’s Richard Rodgers Theatre is not only home to musical theatre sensation Hamilton but also...
Read MorePosted by Christine Deitner | 28th Mar 2019 | Los Angeles, Theatre and Gender, Theatre and Science, United States of America
es, it’s possible if not likely the play has simply conjured up all of this complexity of feeling and that nothing ever existed between Ada and Babbage beyond their shared vision. Yes, I know, there have been multiple instances over time where Ada’s contribution to the invention of the first computing machine has been questioned and tested and even dismissed.None of that matters, for the romantic liaison that Gunderson has crafted and Powers has brought to life delivers one of the loveliest and mature romantic moments I’ve seen on stage.
Read MorePosted by Aleks Sierz | 28th Mar 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
There is a classic conflict in many gay plays: between characters who identify as gay (in the...
Read MorePosted by Zolima Citymag | 27th Mar 2019 | Adaptation, Hong Kong, News, Theatre and Opera
Why We Recommend it The opera Madame White Snake tells the story of a demon’s incessant pursuit of...
Read MorePosted by Jamie Salinger | 27th Mar 2019 | Interview, United States of America
A Stage Management Superhero Randall White is an exceptionally unique theatre creator, manager,...
Read MorePosted by Billy Potts | 27th Mar 2019 | China, Design, Hong Kong, News, Transcultural Collaborations
Under a busy flyover where the Island Eastern Corridor becomes Chai Wan Road sits an unassuming...
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