“Goldberg Variations”
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
Read MorePosted by AeRhee Lee | 30th Jan 2020 | Musical Theatre, New York, Review, United States of America
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
Read MorePosted by AeRhee Lee | 17th Apr 2019 | New York, Review, Theatre and Politics, United States of America
Words that should mean something were thrown across the stage as a light beam, giving a glimpse of hope that somehow, music or singer will communicate a genius who saw ugliness in his fellow human yet wanted to please, to serve them, who wrote he was never tired of serving, pleasing.No, that did not happen.
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | ||
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | 31 | ||