“Pressure” at The Park Theatre: New Play on D-Day
There are few things more British than talking about the weather. What makes this play about a...
Read MorePosted by Aleks Sierz | 23rd Apr 2018 | Acting, Documentary Theatre, London, Review, United Kingdom
There are few things more British than talking about the weather. What makes this play about a...
Read MorePosted by Laurie Fyffe | 23rd Apr 2018 | Canada, Festivals, News, Playwriting, Theatre and Gender
In 2017, I came across the Ergo Arts Pink Festival with a mandate as follows: “Ergo Pink Fest is a...
Read MorePosted by Diwan Singh Bajeli | 23rd Apr 2018 | India, Review, Theatre and Gender
At the ongoing Theatre Olympics, Gujarati play Dhaad brought to fore the making and breaking of a...
Read MorePosted by Aleks Sierz | 22nd Apr 2018 | London, Review, United Kingdom
Let us have a quick moan about repertoire. You know, the types of plays that most of our theatres...
Read MorePosted by Akarsh Khurana | 22nd Apr 2018 | Essay, India, Producing, Transcultural Collaborations
Casting actors from outside the repertory means new energy and new audiences. Last week, I watched...
Read MorePosted by Kim Namseok | 21st Apr 2018 | Review, South Korea
Busan. Once a small, quiet town and the Joseon Kingdom’s first open port, it changed completely in...
Read MorePosted by Rui Pina Coelho | 21st Apr 2018 | Essay, Portugal, Theatre and Politics
This article was originally published as ‘Introduction’ to the edited collection...
Read MorePosted by Clement Lee | 21st Apr 2018 | Design, Hong Kong, Review
It is always an excitement to anticipate a show if one sees the name Ming-hang...
Read MorePosted by Beatriz Cabur | 20th Apr 2018 | Immersive Theatre, London, Participatory Theatre, Review, Transmedia, United Kingdom
Creating large-scale cultural experiences in abandoned spaces, Secret Cinema fuses film, music,...
Read MorePosted by Zhanna Zaretskaya | 20th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Note from TTT: Alexei Malobrodsky, former director of Moscow’s Gogol Center, has been in pretrial...
Read MorePosted by Nobuko Tanaka | 19th Apr 2018 | Interview, Ireland, Japan, Translation
When Akira Shirai first read the script for Ballyturk, he quickly understood why its creator,...
Read MorePosted by Ling Tang | 19th Apr 2018 | China, Chinese Theatre Abroad, Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
On March 20 2018, VaChina, a London-based Chinese feminist network, staged its first full drama...
Read MorePosted by Alexa Alice Joubin | 18th Apr 2018 | China, Essay, Hong Kong, Taiwan
Along with a number of Japanese and Western canonical poets and writers, Shakespeare and his works...
Read MorePosted by Alexa Alice Joubin | 18th Apr 2018 | Adaptation, Essay, Translation, Worldwide
In A Midsummer Night’s Dream, when Peter Quince sees Bottom turned into an ass-headed figure, he...
Read MorePosted by Raviprasad Kamila | 17th Apr 2018 | Festivals, India, News
For six straight months every year, a tiny village comes alive with all-night Yakshagana. A...
Read MorePosted by Aleks Sierz | 17th Apr 2018 | London, Review, United Kingdom
Many years ago, your time at school might even have been some of the happiest days of your...
Read MorePosted by Hayley Malouin | 17th Apr 2018 | Canada, Review, Theatre and Politics
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
Read MorePosted by Daily News Egypt | 17th Apr 2018 | Egypt, Immersive Theatre, Review, Theatre and Dance
People may or may not be familiar with contemporary art, but it involves no damage to the audience...
Read MorePosted by Aleks Sierz | 16th Apr 2018 | London, Review, United Kingdom
Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...
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