Pathos Of The Oppressed
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Diwan Singh Bajeli | 31st Mar 2018 | Festivals, India, Review
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by Marcina Zaccaria | 31st Mar 2018 | New York, Review, Theatre and Dance, Theatre and Opera, United States of America
BAM’s Harvey Theater always feels like a mammoth work in progress. Walls to the larger opera house...
Read MorePosted by Vikram Phukan | 31st Mar 2018 | Festivals, India, Review
The Mumbai tour will be its final leg, with the closing ceremony slated for April 8 at Worli’s...
Read MorePosted by Stage Russia | 30th Mar 2018 | Kama Ginkas Black Monk
CLICK HERE TO WATCH ON VIMEO To access, enter password: Spe0132224 (It is case sensitive) If the...
Read MorePosted by Anne Liisberg | 30th Mar 2018 | Denmark, News
Yet more adaptations, strong Danish voices, golden oldies, the music accompanying most...
Read MorePosted by Ati Metwaly | 30th Mar 2018 | Egypt, Essay
The art practitioners, art aficionados, cultural journalists and–above all–the regular audience...
Read MorePosted by Hayley Malouin | 30th Mar 2018 | Canada, Interview, Playwriting
Alt.theatre web editor Hayley Malouin interviews playwright Hannah Moscovitch about female...
Read MorePosted by Jonathan Karstadt | 29th Mar 2018 | Adaptation, Kama Ginkas Black Monk, Review, Russia
Of all the great Russian writers of the second half of the nineteenth century, none perfected the...
Read MorePosted by Mara Valderrama | 29th Mar 2018 | Japan, Spain, Theatre and Opera, Transmedia
Hatsune Miku, the most famous non-human pop singer in the world, will visit Spain for the first...
Read MorePosted by Eugene Tan | 29th Mar 2018 | LGBTQ+ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
Read MorePosted by Lisa Harper Campbell | 29th Mar 2018 | Australia, Review, Theatre and Gender
A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...
Read MorePosted by Marié-Heleen Coetzee | 28th Mar 2018 | Essay, Latest, South Africa
World Theatre Day: For a short while we can live vicariously through others – shifting, experimenting, transforming. Pondering possibilities. Imagining how we can ‘become’ differently.
Read MorePosted by Barbara Adams | 28th Mar 2018 | Playwriting, Review, United States of America
If you’re fortunate, you have at least one friend who’s a creative and adventurous cook—and who...
Read MorePosted by María Agustina Pardini | 28th Mar 2018 | Acting, London, Review, United Kingdom
Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...
Read MorePosted by Artrit Bytyçi | 28th Mar 2018 | Musical Theatre, Review, Serbia, Theatre and Politics
A musical about Slobodan Milosevic and his wife Mira dresses the “Butcher of Balkans”...
Read MorePosted by Sasko Kocev | 27th Mar 2018 | Macedonia, News, Theatre and Politics
Macedonian message on the occasion of World Theater Day, March 27, 2018, by Sasko Kocev,...
Read MorePosted by Magda Romanska | 27th Mar 2018 | Essay, Poland
Today, we are launching The Spotlight on Poland. Here’s the context….. Following the fall of the...
Read MorePosted by Kasia Lech | 27th Mar 2018 | Essay, Poland, Theatre and Politics
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
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