Eugene Tan

author

“Kumar50”: The Star of the Singapore Drag Scene

Posted by Eugene Tan | 29th Mar 2018 | LGBTQ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations

Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Advertisement

Most Popular Posts

Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
Black Theatre in Asia—Spotlight Query by Todd Sullivan 6th January 2023
Art, Dance, and Film of Ingrid Nachstern and Cate McNider by Alexander Fatouros 5th January 2023
Kennedy Center Dramaturgy Intensive 2022 by Lydia Cochran 14th January 2023
“Zahhak: The Legend of the Serpent King” and… by Heather Waters 9th January 2023
“Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023
Unjust Laughter: Representations of Equity-Deserving… by Amir Al-Azraki 8th January 2023
Trap Door Theatre’s “Princess… by Susanna Sun 26th January 2023
“Sonne, los jetzt!”: Elfriede Jelinek’s… by Toni Hildebrandt And Zainabu Jallo 22nd January 2023
Kathadi Ramamurthy’s Tamil Play… by T.R. Sudha 13th December 2022

Recent Posts

“Al Capone the musical” à la Francaise 31st January 2023
A Director’s Reflection: “Crimea 5 am” at The Kiln Theatre 27th January 2023
Trap Door Theatre’s “Princess Ivona”: Piercing yet Healing 26th January 2023
“Trade/Motorhead” at PROTOTYPE 2023 Festival 23rd January 2023
“Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times 22nd January 2023
“Undine” at PROTOTYPE 2023 Festival 21st January 2023
Digital Access Research Project (DARP) Launches at metaLAB (at) Harvard 21st January 2023
“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival 20th January 2023
Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions 19th January 2023
“note to a friend” at PROTOTYPE 2023 Festival 18th January 2023

SEARCH OUR ARCHIVES

Pin It on Pinterest