Pathos Of The Oppressed
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Diwan Singh Bajeli | 31st Mar 2018 | Festivals, India, Review
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Poppy Burton-Morgan | 31st Mar 2018 | News, Theatre and Gender, United Kingdom
On International Women’s Day 2018 and in the year of Circus250, Poppy Burton-Morgan blogs for UK...
Read MorePosted by Rory Mullarkey | 31st Mar 2018 | Essay, London, Russian Theatre Abroad, Translation, United Kingdom
Rory Mullarkey introduces his new version of Chekhov’s masterpiece for Bristol Old Vic. “The...
Read MorePosted by Marcina Zaccaria | 31st Mar 2018 | New York, Review, United States of America
Those who like to combine pop culture with classical practice might find something of a younger Alanis Morissette in Meredith Monk. Drawing her strength from within, she intones. Silence is as important as the sound, as the tone dips and builds. Monk sings, “Oh, I’m a thinking woman, I’m a thinking woman.” She is in the moment, present, and recognized.
Read MorePosted by Vikram Phukan | 31st Mar 2018 | Festivals, India, Review
The Mumbai tour will be its final leg, with the closing ceremony slated for April 8 at Worli’s...
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