Myth, Motherhood, And Desperation in Modern Adaptation of Lorca’s “Yerma”
Last Monday, about forty minutes into the final preview of Yerma at the Park Avenue Armory—Simon...
Read MorePosted by Jonathan Kalb | 7th Apr 2018 | Adaptation, New York, Review, United States of America
Last Monday, about forty minutes into the final preview of Yerma at the Park Avenue Armory—Simon...
Read MorePosted by Song Minsook | 7th Apr 2018 | Musical Theatre, Review, South Korea
I went to the Seoul Donhwamun Traditional Theatre in early November, the night of the first full...
Read MorePosted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read MorePosted by Maria Pia Pagani | 6th Apr 2018 | Festivals, Italy, News, Playwriting
Since 2007, the year of the 300th anniversary of the birth of Carlo Goldoni (1707–1793), Ghislieri...
Read MorePosted by David O'Donnell | 5th Apr 2018 | New Zealand, Review, Theatre and Politics
Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...
Read MorePosted by Marina Davydova | 5th Apr 2018 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics
Russian theatre director Kirill Serebrennikov, arrested in August 2017 for alleged fraud, is the...
Read MorePosted by The Theatre Times | 4th Apr 2018 | Millennial Perspectives, Musical Theatre, New York, Review, United States of America
With downtown theatre audiences, the never-ending challenge is how to push boundaries and create...
Read MorePosted by Nobuko Tanaka | 4th Apr 2018 | Belgium, Interview, Japan, Theatre and Dance, Transcultural Collaborations
There are mutual squeals of delight when Belgian dance artist, Sidi Larbi Cherkaoui and Spanish...
Read MorePosted by Ryan Raul Bañagale | 4th Apr 2018 | Essay, Musical Theatre, United States of America
Musicals have long depicted utopian worlds, offering an escape for audiences, if only for a few...
Read MorePosted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom
Dysfunctional families do not know about time or place. We may all know too well that reading...
Read MorePosted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom
Until very recently British theatre has been pretty poor at representing the stories of Chinese...
Read MorePosted by Vikram Phukan | 2nd Apr 2018 | Festivals, India, News
This weekend, the city gets a brand new festival that seeks to inject an infectious arts vibe into...
Read MorePosted by Jamie Portman | 2nd Apr 2018 | Canada, Review
carried away on the crest of a wave By David Yee, Directed by Kim Collier. A NAC English Theatre...
Read MorePosted by Liz Crossman | 2nd Apr 2018 | Design, United Kingdom
Whilst it sounds like a cliché, the great thing about my work is that it is rare that any day is...
Read MorePosted by Aleks Sierz | 1st Apr 2018 | London, Review, United Kingdom
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
Read MorePosted by Massimo Malavasi | 1st Apr 2018 | Italy, Review, Theatre and Opera
On February 18th, 2018, Giuseppe Verdi’s La Traviata was staged at the Teatro Sociale in...
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