Why Harassment Is So Common In The Theatre
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by Karen Morash | 17th Nov 2017 | Essay, Management, Theatre and Gender, Theatre and Politics
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by Kristin Tomecek | 17th Nov 2017 | Boston, Festivals, Review, Theatre and Opera, United States of America
Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...
Read MorePosted by Sigríður Jónsdóttir | 16th Nov 2017 | Iceland, Musical Theatre, Review, Theatre and Politics
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
Read MorePosted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
Read MorePosted by David Paulk | 15th Nov 2017 | China, News, Theatre and Disability
Director of Don’t Be Afraid, Cancer Companions hopes drama project will give survivors confidence...
Read MorePosted by Barbara Hatley | 15th Nov 2017 | Australia, Festivals, Indonesia, Melbourne, News, Participatory Theatre, Theatre and Politics, Transcultural Collaborations
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
Read MorePosted by Barbara Hatley | 14th Nov 2017 | Asia, Australia, Festivals, Indonesia, Melbourne, News, Transcultural Collaborations
This is the first in a two-part series by Barbara Hatley. Read Part 2 here. Indonesian...
Read MorePosted by Christine Wahl | 14th Nov 2017 | Germany, Immersive Theatre, Interview, Participatory Theatre
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
Read MorePosted by Marcina Zaccaria | 13th Nov 2017 | Festivals, New York, Review, Theatre and Dance, United States of America
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
Read MorePosted by Diwan Singh Bajeli | 13th Nov 2017 | Festivals, India, Playwriting, Review
This year’s winner at Mohan Rakesh Samman Evam Natya Samaroh, Ghanshyam Kumar Devansh’s Hastinapur...
Read MorePosted by John Smythe | 12th Nov 2017 | New Zealand, Review, Theatre and Gender
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by Artrit Bytyçi and Ardit Kika | 12th Nov 2017 | Acting, Kosovo, News
The Ministry of Culture said that actors’ salaries will be raised by January of next year after...
Read MorePosted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America
After starting in New York, the storytelling performance made its international debut in Cairo,...
Read MorePosted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
Read MorePosted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read MorePosted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
Read MorePosted by Oltița Cîntec | 11th Nov 2017 | Acting, Directing, Essay, Romania
Each year, the Romanian higher education system supplies, through its art universities with their...
Read MorePosted by Holly Williams | 10th Nov 2017 | Adaptation, London, Review, United Kingdom
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
Read MorePosted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics
The audience members were vocal in their approval from start to finish with Es’kia...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
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