Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
Read MorePosted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
Read MorePosted by Madison Parrotta | 30th Dec 2017 | Interview, Producing, Russia, Russian Theatre - Featured, Theatre and Disability
Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...
Read MorePosted by EfeJota Suárez | 30th Dec 2017 | Review, Spain
Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...
Read MorePosted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics
A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...
Read MorePosted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
Read MorePosted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom
Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...
Read MorePosted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
Read MorePosted by Nobuko Tanaka | 28th Dec 2017 | Festivals, Japan, News, Producing
Never mind those North Korean missiles that provide politicians with heaven-sent pretexts to...
Read MorePosted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
Read MorePosted by Lauren Dubowski | 27th Dec 2017 | Design, Italy, Poland, Review, Theatre and Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
Read MorePosted by Aleks Sierz | 26th Dec 2017 | London, Review, Theatre and Politics, United Kingdom
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
Read MorePosted by Zolima Citymag | 26th Dec 2017 | China, Hong Kong, News, Theatre and Dance, Theatre and Politics
When asked to pick one word that describes the city of Hong Kong, Romanian performance artist...
Read MorePosted by Hannah Treadaway | 26th Dec 2017 | News, Theatre and Disability, United Kingdom
As we’re coming towards the New Year, I’ve been reflecting on 2017. I’ve recently been a resident...
Read MorePosted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review
Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...
Read MorePosted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
Read MorePosted by Sarah Churchwell | 25th Dec 2017 | Essay, Playwriting, Theatre and Politics, United Kingdom, United States of America
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
Read MorePosted by Franz Anton Cramer | 24th Dec 2017 | Essay, Europe, Theatre and Dance
In dance, migration is not a phenomenon confined to modern times. For numerous reasons artists...
Read MorePosted by Sara al-Qaher | 24th Dec 2017 | Acting, Iraq, News, Playwriting, Theatre and Politics
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
Read MorePosted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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