“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag
Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...
Read MorePosted by Leigh Boucher | 30th Nov 2017 | Australia, Musical Theatre, Review
Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...
Read MorePosted by Yan Chen | 30th Nov 2017 | Interview, Russia, Russian Theatre - Featured, Transcultural Collaborations
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
Read MorePosted by Nobuko Tanaka | 29th Nov 2017 | Acting, Directing, Japan, Review
As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...
Read MorePosted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by Agnieszka Slodownik. | 29th Nov 2017 | Interview, Poland, Transmedia
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
Read MorePosted by Jonathan Kalb | 28th Nov 2017 | New York, Review, Theatre and Politics, United States of America
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
Read MorePosted by Zolima Citymag | 28th Nov 2017 | China, Hong Kong, Review, Theatre and Art, Theatre and Film
Among Hong Kong’s artists, designers, playwrights and stage directors are polymaths who somehow...
Read MorePosted by Laila Richter | 28th Nov 2017 | Germany, News, Theatre and Disability
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
Read MorePosted by Anadolu Agency | 27th Nov 2017 | Bosnia, News, Theatre and Politics, Turkey
The life of legendary Bosnia-Herzegovina leader Alija Izetbegovic, known for his peaceful...
Read MorePosted by Shailaja Tripathi | 27th Nov 2017 | India, News
For a theatre group to survive 29 years in today’s times is a big deal. Kalayan theatre...
Read MorePosted by Emily Jupp | 27th Nov 2017 | News, Theatre and Art, Theatre and Politics
Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...
Read MorePosted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
Read MorePosted by Vikram Phukan | 26th Nov 2017 | Festivals, India, Puppetry, Review
Anurupa Roy’s contemporary retelling of the epic uses a melange of cultural influences to focus on...
Read MorePosted by Poland On Stage | 26th Nov 2017 | News, Poland
The Zygmunt Hübner Powszechny Theatre Mefisto Based on the novel by Klaus Mann and the movie by...
Read MorePosted by Claudia Pritchard | 26th Nov 2017 | Adaptation, Essay, London, Theatre and Opera, United Kingdom
An attractive, able woman preyed upon in the office by two bosses, one of whom uses his power to...
Read MorePosted by Khaleem Ali | 26th Nov 2017 | Boston, France, Review, Theatre and Politics, United States of America
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
Read MorePosted by Antigoni Gaitana | 25th Nov 2017 | Dramaturgy, Management, New York, Theatre and Opera, United States of America
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
Read MorePosted by James Rowson | 25th Nov 2017 | Review, Russia, Russian Theatre Abroad, Transcultural Collaborations, Translation, United Kingdom
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
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