“A Doll’s House” at Circa One
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by John Smythe | 12th Nov 2017 | New Zealand, Review, Theatre and Gender
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by Artrit Bytyçi and Ardit Kika | 12th Nov 2017 | Acting, Kosovo, News
The Ministry of Culture said that actors’ salaries will be raised by January of next year after...
Read MorePosted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America
After starting in New York, the storytelling performance made its international debut in Cairo,...
Read MorePosted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
Read MorePosted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read More

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026