“Where Did We Sit on The Bus?” at City Theatre, Pittsburgh PA
Playwright/poet/performer Brian Quijada has hope for the future. That’s not an easy orientation to...
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United States of America
Joseph Keckler’s “Train With No Midnight
Walking into the lower theatre at HERE for Train With No Midnight you may have thought you were...
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Brian Clowdus: Providing Access Through Outdoor Immersive Storytelling
Brian Clowdus was left burned out and unfulfilled as a hustling actor. On a whim on his way back...
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Sin Muros: Why I’m Producing a Latinx Theatre Festival
A lot has happened in the last year—locally in Houston, across the state of Texas, in the United...
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Bringing Shadows To Life: Manual Cinema’s “The End Of TV” At ArtsEmerson
ArtsEmerson, Boston’s hub for international, experimental, and cutting-edge theatre, has invited...
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Sin Muros: Interview With “The Corrido Of The San Patricios” Playwright Beto O’Byrne
This February, playwright Beto O’Byrne’s The Corrido Of The San Patricios will receive a staged...
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Interview With Yngvild Aspeli of Plexus Polaire
Norwegian puppeteer Yngvild Aspeli and her company Plexus Polaire based in France is touring the...
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Rise And Shine: “AWAKE!” At The Barrow Group
The mission of AWAKE!, written and directed by K. Lorrel Manning and currently premiering at the...
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Molly Lowe And Bertolt Brecht: Making The Familiar Strange
Blurring the lines between the grotesque and the beautiful, the cerebral and the corporeal,...
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Theatre Centre-Stage At US Literary Translation Conference
In 2018, the American Literary Translators Association (ALTA) gave pride of place to theatre...
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Betraying Kane, the Musical: “4.48 Psychosis” Venables’ Operatic Version
4.48 Psychosis, by Sarah Kane, was turned into an opera by composer Philip Venables in a...
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Touch Me In Duh Righteous: A Fubu “Slave Play” Review
An audience-sized mirror, a small wooden table with a bowl of fruit, and the lyrics to Rihanna’s...
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Welcome To “The Jungle” at St. Ann’s Warehouse
“Immersive theater” is a gimmicky term that can be just an indiscriminate pitch nowadays for any...
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Sin Muros: Interview with “City Without Altar” Poet and Playwright Jasminne Mendez
This February, writer Jasminne Mendez’s City Without Altar will receive a staged reading at Stages...
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Sin Muros: Interview with “Then They Forgot About the Rest” Playwright Georgina Escobar
This February, playwright Georgina Escobar’s Then They Forgot About the Rest will receive a staged...
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An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe
A greater push for disability representation in the theatre industry has seen the emergence of...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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Terrific Power: “St. Kilda” at the So-Fi Festival in NYC
Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
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“Sycorax, Cyber Queen of Qamara”: A Conversation with Joan Kane and Sandra Bargman
By Playwright Fengar Gael, Sycorax is a character referred to, yet never seen, in Shakespeare’s “The Tempest.” But, in Fengar Gael’s story, Sycorax has been alive and waiting for 500 years to tell her side of the story.
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French Highlights At Chicago International Puppet Theater Festival
The Chicago International Puppet Theater Festival is proud to announce the establishment of The...
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