John Webster’s “The Duchess of Malfi” at the Almeida Theatre
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Aida Rocci | 15th Dec 2019 | Immersive Theatre, London, Participatory Theatre, United Kingdom
I’m crouching along with a group of strangers, waiting for Anna to arrive. I have never met Anna...
Read MorePosted by Julian De Medeiros | 14th Dec 2019 | Adaptation, London, Nigeria, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
Read MorePosted by Mert Dilek | 12th Dec 2019 | Adaptation, London, Review, United Kingdom
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Clio Unger | 10th Dec 2019 | London, Review, United Kingdom
Jack and the Beanstalk, written by Joel Horwood. Lyric Hammersmith. London. 20 December 2017. As...
Read MorePosted by Lisa Marie Bowler | 8th Dec 2019 | Festivals, Review, Theatre and Dance, United Kingdom
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
Read MorePosted by Aleks Sierz | 8th Dec 2019 | Documentary Theatre, Playwriting, Review, United Kingdom, United States of America
Today, we call it soft power. During the Cold War it was more like success at any cost—and by any...
Read MorePosted by Mert Dilek | 8th Dec 2019 | London, Review, Theatre and Politics, United Kingdom
Fairview is a scorching minefield that looks like a green meadow. At long last, London audiences...
Read MorePosted by Mert Dilek | 6th Dec 2019 | London, Review, United Kingdom
’Tis the season for Christmas pantos across the UK, and there could not be a more ideal opener to...
Read MorePosted by Lisa Marie Bowler | 5th Dec 2019 | Dance Umbrella 2019, London, Review, Theatre and Dance, United Kingdom
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
Read MorePosted by Christine Deitner | 3rd Dec 2019 | Los Angeles, Review, United Kingdom
’Tis the season for holiday-inspired and joy-infused entertainment and Ruskin Group Theatre Co. in...
Read MorePosted by Aleks Sierz | 1st Dec 2019 | London, Playwriting, Review, United Kingdom
Naturalism is both the best thing about British theatre, being democratic and comprehensible by...
Read MorePosted by Aleks Sierz | 30th Nov 2019 | London, Review, United Kingdom
Some news stories have a very long half-life. Their power to shock does not diminish; they...
Read MorePosted by Mert Dilek | 29th Nov 2019 | Adaptation, Italy, London, Review, United Kingdom
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
Read MorePosted by Aleks Sierz | 28th Nov 2019 | London, Review, Theatre and Age, United Kingdom
Actor Miriam Margolyes is a phenomenon. Not only has this Dickensian specialist starred in...
Read MorePosted by Mert Dilek | 26th Nov 2019 | Dramaturgy, News, United Kingdom
Founded in 2001, the Dramaturgs’ Network is the only organization in the United Kingdom solely...
Read MorePosted by Aleks Sierz | 24th Nov 2019 | Documentary Theatre, London, Review, Turkey, United Kingdom
Truth is the first casualty of war, and often it is journalists who have to pay the price. Killing...
Read MorePosted by Mert Dilek | 24th Nov 2019 | London, Review, Theatre and Art, Translation, United Kingdom
What’s the use of thinking about the future? What’s the use of thinking about the future in a...
Read MorePosted by Lisa Marie Bowler | 24th Nov 2019 | Dance Umbrella 2019, Festivals, Review, Theatre and Dance, United Kingdom
For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...
Read MorePosted by Miranda Laurence | 23rd Nov 2019 | Dance Umbrella 2019, Review, South Africa, Theatre and Dance, United Kingdom
In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...
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