Spain Archives - Page 4 of 7 - The Theatre Times

“La realidad”, Or How to Build Fake News

Posted by Antonio Hernández Nieto | 29th May 2021 | Review, Spain, Theatre and Politics, Transmedia

The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...

5 Reasons Why Verse Is the Language for Theatre in 2020s

Posted by Kasia Lech | 12th Mar 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom

While theatre in its early days existed in a strong relationship with verse, the social, cultural,...

Surge Madrid 2020: The Nonstop Alternative Theatre Festival

Posted by Antonio Hernández Nieto | 9th Jan 2021 | Festivals, News, Spain

Surge Madrid is a performing arts festival that usually takes place in May. However, this year it...

The End of An Era: Goodbye and Thank-you to the Pavón Teatro Kamikaze

Posted by Maria Delgado | 25th Dec 2020 | News, Spain

It’s December 22nd, not quite the night before Christmas but not far off, and the news has just...

Fariña: Cocaine Coast Docks in Madrid

Posted by Duncan Wheeler | 1st Oct 2020 | Covid-19, Immersive Theatre, Review, Spain, Theatre and Politics, Transmedia

Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...

#TeatroConfinado: Spanish Theater’s Answer to the Pandemic

Posted by Antonio Hernández Nieto | 2nd Jun 2020 | Covid-19, News, Spain, Theatre and Film

The COVID-19 pandemic has closed theaters around the world, including New York’s Broadway and...

Culture Matters: Lluís Pasqual, Pedro Almodóvar and Spain’s Cultural Sector Respond to the Seeming Indifference of the Country’s Minister of Culture

Posted by Maria Delgado | 28th Apr 2020 | News, Spain, Theatre and Politics

There was a moment on April 7th when the vision for culture in Spain under Covid-19 looked pretty...

Juan Mayorga: A View from Madrid

Posted by Maria Delgado | 17th Apr 2020 | News, Spain

In late March, as Spain experienced the effects of Coronavirus lockdown, publishing house uÑa RoTa...

Milo Rau: A Controversial Stage Director Visits Madrid

Posted by Antonio Hernández Nieto | 19th Mar 2020 | Directing, Review, Spain

When Milo Rau arrives in a city, he attracts the attention of theater journalists, professionals,...

Catalonia Under the Scalpel in Guillem Clua’s impressive “Justícia/Justice”

Posted by Maria Delgado | 11th Mar 2020 | Review, Spain, Theatre and Politics

Guillem Clua has produced a varied body of work for the Catalan theatre. His plays sometimes have...

Festival Místicas: How to Perform Ancient Religious Texts in the 21st Century

Posted by Antonio Hernández Nieto | 10th Dec 2019 | Festivals, Review, Spain, Theatre and Religion

It is autumn in Madrid, Spain. A small group of theatergoers has arrived at Zapadores, a new art...

Staging Forgotten Histories: “Kingdoms” at the Sarmiento Theatre

Posted by Maria Delgado | 30th Nov 2019 | Argentina, Review, Spain

Romina Paula is perhaps best known outside Argentina for her work as an actress in seminal films...

“Denarius World:” Exorcising Tragic Reality with the Farce

Posted by Armando Rotondi | 13th Nov 2019 | Devised Theatre, Review, Spain

“Denarius World is simple and happy on the surface. Everything is fast-paced, instantaneous...

Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic

Posted by Maria Delgado | 10th Oct 2019 | Review, Spain, Translation, United Kingdom

Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...

Nora is Back: “A Doll’s House, Part 2” on The Catalan Stage

Posted by Maria Delgado | 23rd Sep 2019 | Review, Spain, Theatre and Gender

Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...

“The Bonds of Interest”: Jacinto Benavente’s Renewal of Spanish Theatre (1907), A Significant Choice for This New Odyssey Beginning

Posted by Alvina Ruprecht | 27th Aug 2019 | Canada, Review, Spain

The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...

Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre

Posted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain

The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...

Re-Staging The Past: “Copenhagen” at Madrid’s Abadía Theatre

Posted by Maria Delgado | 26th Jul 2019 | Review, Spain

Buenos Aires director Claudio Tolcachir has good reason to call Madrid his second home. His Timbre...

10 Years On: Miguel del Arco’s “The Play to Be Done” In Its Swansong Run

Posted by Maria Delgado | 23rd Jul 2019 | Adaptation, Review, Spain

It has been a decade since Miguel del Arco—now one of Spain’s most admired directors— burst onto...

Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company

Posted by James Montaño | 19th Jul 2019 | Adaptation, Boston, Review, Spain, Translation, United States of America

Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...

Spain

“La realidad”, Or How to Build Fake News

5 Reasons Why Verse Is the Language for Theatre in 2020s

Surge Madrid 2020: The Nonstop Alternative Theatre Festival

The End of An Era: Goodbye and Thank-you to the Pavón Teatro Kamikaze

Fariña: Cocaine Coast Docks in Madrid

#TeatroConfinado: Spanish Theater’s Answer to the Pandemic

Culture Matters: Lluís Pasqual, Pedro Almodóvar and Spain’s Cultural Sector Respond to the Seeming Indifference of the Country’s Minister of Culture

Juan Mayorga: A View from Madrid

Milo Rau: A Controversial Stage Director Visits Madrid

Catalonia Under the Scalpel in Guillem Clua’s impressive “Justícia/Justice”

Festival Místicas: How to Perform Ancient Religious Texts in the 21st Century

Staging Forgotten Histories: “Kingdoms” at the Sarmiento Theatre

“Denarius World:” Exorcising Tragic Reality with the Farce

Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic

Nora is Back: “A Doll’s House, Part 2” on The Catalan Stage

“The Bonds of Interest”: Jacinto Benavente’s Renewal of Spanish Theatre (1907), A Significant Choice for This New Odyssey Beginning

Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre

Re-Staging The Past: “Copenhagen” at Madrid’s Abadía Theatre

10 Years On: Miguel del Arco’s “The Play to Be Done” In Its Swansong Run

Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company

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