Spain Archives - Page 3 of 7 - The Theatre Times

“La Regenta” as Opera: a Coruscating Portrait of Smalltown Community Abuse

Posted by Maria Delgado | 30th Oct 2023 | Review, Spain

It is not an easy prospect to adapt into opera one of the most acclaimed social realist novels of...

The Danger Within: “Asesinato y adolescencia” / “Assassination and Adolescence” Opens the Español’s Season at Madrid’s Matadero

Posted by Maria Delgado | 28th Oct 2023 | Review, Spain

There is something beguiling, provocative and timely in Andrés Lima’s staging of Antonio San...

Floating Islands of AI: Agrupación Señor Serrano’s “La isla/The Island” in Madrid

Posted by Maria Delgado | 27th Oct 2023 | Review, Spain, Theatre and AI

Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...

Easy Reading (or not): Cristina Morales’s “Lectura fácil” on the Stage

Posted by Maria Delgado | 21st Apr 2023 | Adaptation, Review, Spain, Theatre and Disability

There is nothing easy about Alberto San Juan’s Lectura fácil. His adaptation of Cristina Morales’...

The Brilliance of Nuria Espert: Secrets, Lies and “La Isla Del Aire”

Posted by Maria Delgado | 18th Apr 2023 | Adaptation, Review, Spain

Alejandro Palomas has transformed his acclaimed 2005 novel La isla del aire (The Island of Air)...

Remembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”

Posted by Maria Delgado | 8th Mar 2023 | Education, Review, Spain, Theatre and Politics

Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...

Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro

Posted by Natalia García-Casarrubios | 5th Mar 2023 | Festivals, Interview, Producing, Spain

Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...

Friendship And Its Discontents: Juan Mayorga’s “Amistad”

Posted by Maria Delgado | 1st Mar 2023 | Playwriting, Review, Spain

Juan Mayorga, one of Spain’s most decorated dramatists — a member of Spain’s Spanish Royal Academy...

Josep Maria Pou Excels In a Minimalist Catalan-language Production of Florian Zeller’s “The Father”

Posted by Maria Delgado | 15th Feb 2023 | Directing, Review, Spain

Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...

Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”

Posted by Maria Delgado | 14th Feb 2023 | Adaptation, Design, Directing, Review, Spain

Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...

Barcelona Art Scene: “Next to Normal Immersive” at Grec 2022 Festival

Posted by Alexander Fatouros | 13th Jul 2022 | Design, Directing, Interview, Musical Theatre, Spain

Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...

“Borderland, maldita cabeza,” Mental Health Debate Enters into the Limits of a New Opera

Posted by Antonio Hernández Nieto | 27th Jun 2022 | Design, Review, Spain, Theatre and Gender, Theatre and Opera

A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...

“Abril imaginario”: One Step Beyond Immersive and Collaborative Theater

Posted by Antonio Hernández Nieto | 22nd May 2022 | Immersive Theatre, Participatory Theatre, Review, Spain

It is the second time that Los números imaginarios (The imaginary numbers), a Spanish company of...

An Argentinian Summer Theater Festival in Wintertime Madrid

Posted by Antonio Hernández Nieto | 6th Apr 2022 | Argentina, Festivals, News, Spain, Transcultural Collaborations

February is summer in Argentina, and most Argentinian theaters and companies are on holiday....

Elitism vs Fatigue, the Alice’s Rabbit Effect

Posted by Antonio Hernández | 28th Feb 2022 | Essay, Spain

Theater could be done with almost nothing. A proper stage is not even needed. Two people are...

Surge Festival, A Reflection of Madrid’s Diverse Alternative Theater

Posted by Antonio Hernández | 27th Jan 2022 | Festivals, Review, Spain

October was the month of Surge Madrid festival. A collection of the alternative theater whose...

Making History on the Madrid Stage

Posted by Duncan Wheeler | 4th Nov 2021 | Essay, Spain, Theatre and Politics

As theatres reopened after the summer recess, the plays on offer in the Spanish capital were...

“Divina invención” Love by Lope de Vega and by Sergio Blanco

Posted by Antonio Hernández Nieto | 4th Aug 2021 | Adaptation, Review, Spain

The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...

The Personal is Political: Theatre as Therapy in Madrid

Posted by Duncan Wheeler | 14th Jun 2021 | Review, Spain, Theatre and Gender

The Spanish capital ranks amongst the European cities with the highest mortality rates for...

“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe

Posted by Kasia Lech | 9th Jun 2021 | Adaptation, Festivals, France, Musical Theatre, Review, Spain, United Kingdom

AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...

Spain

“La Regenta” as Opera: a Coruscating Portrait of Smalltown Community Abuse

The Danger Within: “Asesinato y adolescencia” / “Assassination and Adolescence” Opens the Español’s Season at Madrid’s Matadero

Floating Islands of AI: Agrupación Señor Serrano’s “La isla/The Island” in Madrid

Easy Reading (or not): Cristina Morales’s “Lectura fácil” on the Stage

The Brilliance of Nuria Espert: Secrets, Lies and “La Isla Del Aire”

Remembering A Silenced Teacher: Xavier Bobés And Alberto Conejero’s “El Mar. Visión De Unos Niños Que No Lo Han Visto Nunca”/”The Sea. Vision Of Some Children Who Have Never Seen It”

Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro

Friendship And Its Discontents: Juan Mayorga’s “Amistad”

Josep Maria Pou Excels In a Minimalist Catalan-language Production of Florian Zeller’s “The Father”

Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”

Barcelona Art Scene: “Next to Normal Immersive” at Grec 2022 Festival

“Borderland, maldita cabeza,” Mental Health Debate Enters into the Limits of a New Opera

“Abril imaginario”: One Step Beyond Immersive and Collaborative Theater

An Argentinian Summer Theater Festival in Wintertime Madrid

Elitism vs Fatigue, the Alice’s Rabbit Effect

Surge Festival, A Reflection of Madrid’s Diverse Alternative Theater

Making History on the Madrid Stage

“Divina invención” Love by Lope de Vega and by Sergio Blanco

“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe

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