Easy Reading (or not): Cristina Morales’s “Lectura fácil” on the Stage
There is nothing easy about Alberto San Juan’s Lectura fácil. His adaptation of Cristina Morales’...
Read MorePosted by Maria Delgado | 21st Apr 2023 | Adaptation, Review, Spain, Theatre and Disability
There is nothing easy about Alberto San Juan’s Lectura fácil. His adaptation of Cristina Morales’...
Read MorePosted by Maria Delgado | 18th Apr 2023 | Adaptation, Review, Spain
Alejandro Palomas has transformed his acclaimed 2005 novel La isla del aire (The Island of Air)...
Read MorePosted by Maria Delgado | 8th Mar 2023 | Education, Review, Spain, Theatre and Politics
Xavier Bobés is one of those remarkable artists able to conjure a world through a few objects that...
Read MorePosted by Natalia García-Casarrubios | 5th Mar 2023 | Festivals, Interview, Producing, Spain
Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...
Read MorePosted by Maria Delgado | 1st Mar 2023 | Playwriting, Review, Spain
Juan Mayorga, one of Spain’s most decorated dramatists — a member of Spain’s Spanish Royal Academy...
Read MorePosted by Maria Delgado | 15th Feb 2023 | Directing, Review, Spain
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
Read MorePosted by Maria Delgado | 14th Feb 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
Read MorePosted by Alexander Fatouros | 13th Jul 2022 | Design, Directing, Interview, Musical Theatre, Spain
Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...
Read MorePosted by Antonio Hernández Nieto | 27th Jun 2022 | Design, Review, Spain, Theatre and Gender, Theatre and Opera
A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
Read MorePosted by Antonio Hernández Nieto | 22nd May 2022 | Immersive Theatre, Participatory Theatre, Review, Spain
It is the second time that Los números imaginarios (The imaginary numbers), a Spanish company of...
Read MorePosted by Antonio Hernández Nieto | 6th Apr 2022 | Argentina, Festivals, News, Spain, Transcultural Collaborations
February is summer in Argentina, and most Argentinian theaters and companies are on holiday....
Read MorePosted by Antonio Hernández | 28th Feb 2022 | Essay, Spain
Theater could be done with almost nothing. A proper stage is not even needed. Two people are...
Read MorePosted by Antonio Hernández | 27th Jan 2022 | Festivals, Review, Spain
October was the month of Surge Madrid festival. A collection of the alternative theater whose...
Read MorePosted by Duncan Wheeler | 4th Nov 2021 | Essay, Spain, Theatre and Politics
As theatres reopened after the summer recess, the plays on offer in the Spanish capital were...
Read MorePosted by Antonio Hernández Nieto | 4th Aug 2021 | Adaptation, Review, Spain
The Compañía Nacional de Teatro Clásico (CNTC) in Spain is asking different contemporary...
Read MorePosted by Duncan Wheeler | 14th Jun 2021 | Review, Spain, Theatre and Gender
The Spanish capital ranks amongst the European cities with the highest mortality rates for...
Read MorePosted by Kasia Lech | 9th Jun 2021 | Adaptation, Festivals, France, Musical Theatre, Review, Spain, United Kingdom
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
Read MorePosted by Antonio Hernández Nieto | 29th May 2021 | Review, Spain, Theatre and Politics, Transmedia
The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...
Read MorePosted by Kasia Lech | 12th Mar 2021 | Dramaturgy, Ireland, Nigeria, Playwriting, Poland, Spain, Transmedia, United Kingdom
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
Read MorePosted by Antonio Hernández Nieto | 9th Jan 2021 | Festivals, News, Spain
Surge Madrid is a performing arts festival that usually takes place in May. However, this year it...
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