“Self Life Drawing” – Eunkyung Jeong
The political self of beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
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Theatre and Politics
“Chiaroscuro” at The Bush Theatre
Identity politics have been around for decades. But it’s always good to revisit the subject....
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Maya Arad Yasur’s “Amsterdam” at the Orange Tree Theatre: Crimpian Account of the Past in the Present
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
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Alexander Zeldin’s “Faith, Hope and Charity” at the National Theatre
Alexander Zeldin’s new play arrives at the National Theatre’s Dorfman stage with a title...
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“Hansard” at the National Theatre
Simon Wood’s debut play Hansard, performed at London’s National Theatre Lyttleton...
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There But For the Grace: Cusi Cram’s “Novenas for a Lost Hospital”
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
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Ugandan Show Tackles Language and Culture
It is still not uncommon to hear various parts of the continent being referred to as ‘Anglophone Africa’, ‘Francophone Africa’, ‘Lusophone Africa’, and so on. In fact, there are more French and English speakers in Africa today than there are in France and England respectively!
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Sniff Like a Dog Sniffs the Wondrous: “Warsaw’s Daughters #100LAT” by Teraz Poliż
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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Interview: Kristina Poe of LAByrinth Theater Company
New York’s storied Cherry Lane Theatre in the West Village was recently the home of the LAByrinth...
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“No Elections, Torture Instead”: Zarema Zaudinova, Rising Star of Russian Documentary Theatre, About Her Latest Work, “Torture”
Whatever preconceptions you have about documentary theatre, set them aside when you step inside...
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“8 Hotels” at Minerva Theatre
Beliefs of racial purity and superiority were at the heart of the conflict that brought about the...
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Lucy Prebble’s “A Very Expensive Poison” at the Old Vic: Post-truth Games with Docu-drama
The Russian state murders dissidents not only in their homeland, but also in the UK. Recent cases...
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Philip Luswata Brings “30 Years of Bananas” Back to Life
It is not a usual thing seeing Ugandan writers’ works celebrated years after they were created. Of...
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“The Crucible” at the Stratford: How Puritanism Predicts this Political Moment
Arthur Miller’s classic play about the 17th-century witchcraft trials in colonial Salem,...
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Aichi Triennale 2019: Political Art, Censorship, and Democracy
The sudden Aug. 3 closure of After “Freedom of Expression?” — a multi-artist exhibit...
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Jane Goodall’s Immersive Paper Forest Promotes Conservation
A rainforest has risen on the ground level of the Hong Kong Science Museum. Leaves rustle...
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Laughing with a Burnt Heart: Will There Be an End to Hatred?
A successful play is a machine all of whose parts are thoughtfully selected to serve its overall...
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Strands of Sisterhood
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
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