Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
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Adaptation
They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”
Ruhollah J’afari’s Richard III Will Not Take Place is an excavation of real historical events. A...
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A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright
Australian literary classics are currently enjoying a comeback at our major theatre companies....
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Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
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Samuel Beckett’s “Waiting for Godot” Is Brought into the Reiwa Era
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
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“Tale of the Lion King” at Disney California Adventure Park – An Interview with Creative Director, Susana Tubert
Visitors to Disney California Adventure Park should be sure to check their schedules and make time...
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“The Damned”: La Comédie Française On the Barbican Stage.
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
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“1001 Nights” From Target Margin
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
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Stefano Massini’s “The Lehman Trilogy” at the Piccadilly Theatre
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
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“The Three Musketeers:” A Traditional Bout
After an inaugural season of staged readings last year, this season, The Front Porch Arts...
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PQ 2019: An A+ B-Movie
I didn’t know what to expect from the Telekinetic Assault Group. The name was aggressive and the...
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“Pride and Prejudice:” Delightfully Present
Pride and Prejudice, presented by the Actors’ Shakespeare Project and performed at the Balch Arena...
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PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
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Shakespeare and India
The most striking aspect of Shakespeare in India today is that it seems to have at last got over...
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Shakespeare, Sinatra, And The Philosophy Of Aging
Aging in the world of entertainment is portrayed in a variety of ways. In some cases it’s graceful...
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In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
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Chekhov’s “Three Sisters” at the Almeida Theatre
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
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It’s Shakespeare’s “Hamlet,” But Not As You Know It
With praise for his Hamlet with the Royal Shakespeare Company in 2016 still ringing in his ears —...
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Stories From The Soul: “Topi Ki Dastaan”, A Play Based On The Popular Hindi nNovel Topi Shukla
Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...
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“Jude” at The Hampstead Theatre: Adaptation of Thomas Hardy’s 1895 Tragic Novel, “Jude The Obscure”
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
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