Brief Notes Towards A Definition Of Leftfield Theatre
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
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The Dangers of Optical Illusionary Performative Activism
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
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Michelle Memran on Maria Irene Fornes and “The Rest I Make Up”
Michelle Memran is the documentarian behind The Rest I Make Up (2018), a touchingly candid...
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Angella Emurwon: Writing For Me Is Like Breathing
Angella Emurwon is a playwright, theatre director and filmmaker. The name ‘Emurwon’ means seer,...
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Dramaturgy in Action: How the Stratford Festival’s Meighen Forum Challenges Audiences to Think Beyond the Production
Imagine you have just experienced one of the most extraordinary performances you have ever seen in...
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Incubator 7: POPArt’s Innovative Response To Covid-19
In the midst of the Covid-19 pandemic which, among other industries, has adversely affected the...
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Lloyd Lutara: The Ugandan Artist Who Refuses to Box a Story
Lloyd Lutara (LL) is a multi-form storyteller writing and producing theatre, film, fiction and...
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Here’s How Swatantra Theatre’s ‘Rang-e-Dastaan’ Virtual Festival Unfolds
Pune-based Swatantra Theatre is set for a big virtual experiment from June 4 when it...
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Review: “A Streetcar Named Desire” At The Young Vic
The National Theatre’s triumphant march through its archive of NT Live recordings continues this...
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#TeatroConfinado: Spanish Theater’s Answer to the Pandemic
The COVID-19 pandemic has closed theaters around the world, including New York’s Broadway and...
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UK-Based Flute Theatre Takes To Instagram To Help Those In The Autistic Spectrum
The COVID-19 pandemic has brought significant shifts in routines all over the world. With more...
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“Seven Days Later” at Sarajevo’s Narodno Pozorište
“Who was human before the war, remained so”, says one of the actors in the beginning of the play...
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Jonathan Pitches on Physical Theatre’s Ability to Transform Written Text
Jonathan Pitches is a Professor of Theater and Performance at the University of Leeds. He is the...
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Invisible Diaries: Thoughts for the End of the World As We Know It
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. Slung Low is a company...
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Invisible Diaries: Being In-Between, Holding the Space
This article is part of the Dramaturgs’ Network’s Invisible Diaries series. I am part German and...
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‘From the Italian Land to Poland’ and Back: A conversation with Giovanni Pampiglione
Rome, 9th February 2020. “Can I get some paper? Some cream-colored paper? And a pen?”...
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Italian Resilience Against COVID-19: Vocal Performances for Museums and Monuments
Because of COVID-19, Italian actors’ work had abruptly stopped but digital resources offer them...
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Choreographer Yasmine Hugonnet at Biennale Arcipelago Mediterraneo
Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their...
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Zoom Play: “Midnight Your Time” at The Donmar Warehouse
During the lockdown, the best online theatre, more or less, are shows that are specially created...
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After Coronavirus: Global Youth Reveal That the Social Value of Art Has Never Mattered More
Health and government officials around the globe are slowly and ever-so-tentatively moving to...
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