Review: More Important Halves, Teatar Mašina igre in Collaboration with Teatar & TD in Zagreb, Croatia
What have millennial women fought for? “Did we fight for that? Why we fought for nothing,” cries...
Read MorePosted by Mila Bulimbasic Botteri | 7th Jul 2020 | Croatia, Documentary Theatre, Review
What have millennial women fought for? “Did we fight for that? Why we fought for nothing,” cries...
Read MorePosted by Mila Bulimbasic Botteri | 1st Jun 2020 | Bosnia, Documentary Theatre, Review
“Who was human before the war, remained so”, says one of the actors in the beginning of the play...
Read MorePosted by Mila Bulimbasic Botteri | 28th Apr 2020 | Acting, Croatia, Review
Arthur Miller’s The Crucible had its premiere last spring at the Croatian People’s Theatre...
Read MorePosted by Mila Bulimbasic Botteri | 1st Apr 2020 | Germany, London, Review, United Kingdom
“The theatre is a device for empathy – its job is to create better people.” Those are the words of...
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The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 

Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 | M | T | W | T | F | S | S |
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