Complicite/Simon McBurney West Coast Premiere of “The Encounter” at The Wallis (Beverly Hills)
If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...
Read MorePosted by Lauren Deutsch | 15th Apr 2017 | Transmedia, United Kingdom
If your vacations haven’t been focused on interaction with indigenous shamans (as have many of...
Read MorePosted by Aleks Sierz | 15th Apr 2017 | Adaptation, London, Review, United Kingdom
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
Read MorePosted by Baharak Sahami | 14th Apr 2017 | Iran, Theatre and Politics
To the Steel-Helmet Wearers, written and directed by Pejmān Abdi, is a tragi-comic fantasy about...
Read MorePosted by Sun Xiaoxing | 13th Apr 2017 | China, Essay, Transmedia
Twenty years ago, it was inconceivable for people to meet without a physical encounter. But today,...
Read MorePosted by Kathleen Dimmick | 13th Apr 2017 | New York, United States of America
1000 yellow seats, tier upon tier — a sea of bright yellow rising to the rafters: this is the...
Read MorePosted by Diogo Spinelli | 13th Apr 2017 | Brazil, Uruguay
From February 20th to 24th this year, I had the opportunity, along with Fernando Yamamoto and...
Read MorePosted by Clement Lee | 12th Apr 2017 | Hong Kong
Eugene O’Neill’s Beyond the Horizon by Theatre Horizon is a haunting production that transcends O’Neill’s first full-length play into a magical experience.
Read MorePosted by The Theatre Times | 12th Apr 2017 | Festivals, Germany, Theatre and Politics
The Festival Internationale Neue Dramatik (FIND) just closed in Shaubuhne Theater in Berlin. From...
Read MorePosted by Bruce Smith | 11th Apr 2017 | Adaptation, United Kingdom
The Brooklyn Academy of Music (BAM) has been the site of many creative adaptations of...
Read MorePosted by Deborah Cornelious | 11th Apr 2017 | India, Theatre and Dance, Theatre and Opera
Actor-musician-dancer Sebastien Heins delves into human redemption and fraternal love with his...
Read MorePosted by May Tran | 10th Apr 2017 | Australia, Musical Theatre, Theatre and Politics, Vietnam
Over the past year and a half, May Tran (writer, student and professional procrastinator of...
Read MorePosted by Clement Lee | 10th Apr 2017 | Hong Kong
It is a blessing to see the recent Hong Kong Repertory Theatre production of Callas Cheang’s new...
Read MorePosted by The Theatre Times | 10th Apr 2017 | India
Going beyond the usual Ghatothkach’s story, Waman Kendre’s Mohe Piya brings to fore the utter...
Read MorePosted by Raffaele Furno | 9th Apr 2017 | France
It would be easier for North and South Korea to reunite under one flag than for two human beings...
Read MorePosted by T. Saravanan | 9th Apr 2017 | Nigeria
A group of African students took the audience on a journey to Nigeria. It’s celebration time...
Read MorePosted by Lee Kyung-Mi | 9th Apr 2017 | South Korea, Theatre and Politics
Construction began on the Gwanghwamun Public Square in 2008 and was completed in July of 2009. The...
Read MorePosted by Megan De Roover | 8th Apr 2017 | Canada, Theatre and Dance, Theatre for Young Audiences
The National Ballet of Canada’s 2017 world premiere of Pinocchio adds an unusual twist to the...
Read MorePosted by Mary Mazzilli | 8th Apr 2017 | London, Playwriting, Review, United Kingdom
There is something strangely genuine and comically truthful about the European première of David...
Read MorePosted by Francisco Mallmann | 7th Apr 2017 | Brazil, Festivals
The Curitiba Festival, which runs from March 28 through April 9, celebrates its 26th edition in...
Read MorePosted by Baharak Sahami | 7th Apr 2017 | Iran
The Mafia, written and directed by Afrooz Forouzand, invites audiences to a mysteriously...
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