New Drama Based on Hieronymus Bosch’s “Table of the Seven Deadly Sins”
La terquedad is the culmination of the Heptalogy of Hieronymus Bosch — inspired by the...
Read MorePosted by Victoria Eandi | 6th Apr 2017 | Argentina, Theatre and Art
La terquedad is the culmination of the Heptalogy of Hieronymus Bosch — inspired by the...
Read MorePosted by Maria Pia Pagani | 6th Apr 2017 | Italy
Carlo Goldoni (1707–93), the greatest Italian playwright of the eighteenth century, discovered his...
Read MorePosted by Layla Colamartino | 6th Apr 2017 | Italy
The Venice of Goldoni’s The Jealous Women (Le donne gelose) is a city in full decline: the...
Read MorePosted by Amatesiro Dore | 5th Apr 2017 | Nigeria, Theatre and Gender
In present-day Ilè-Ifẹ̀, the birthplace of Yorùbá civilisation, a very urbane monarch, His...
Read MorePosted by Leigh Sykes | 5th Apr 2017 | Adaptation, New Zealand
The concepts of the self and the troll are at the heart of this adaptation by Eli Kent, alongside an investigation of the nature of theatre itself. This is a resolutely post-modern, meta-theatrical play that tackles themes that resonate powerfully with the currently very prevalent culture of narcissism and self-interest.
Read MorePosted by Pooja Makhijani | 5th Apr 2017 | Singapore, Theatre for Young Audiences
This afternoon, we checked out The Little Company’s Hanuman: The Superhero Monkey, a multimedia...
Read MorePosted by Aleks Sierz | 4th Apr 2017 | Review, Theatre and Politics, United Kingdom
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
Read MorePosted by Mark O'Thomas | 4th Apr 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
Much has been written over recent months about the apparent bubble in which we are all now living,...
Read MorePosted by Shirin Sojitrawalla | 4th Apr 2017 | Festivals, Germany
New concept and new management: The Wiesbaden Biennale 2016 set out to search for a European...
Read MorePosted by Elizabeth Schafer | 3rd Apr 2017 | Theatre and Gender, United Kingdom
In 1602, a law student called John Manningham saw Twelfth Night, or What You Will, and wrote what...
Read MorePosted by Nobuko Tanaka | 3rd Apr 2017 | Japan, Musical Theatre
When Adam Cooper launched into the first verse of Singin’ in the Rain on the stage of Tokyu...
Read MorePosted by Diwan Singh Bajeli | 3rd Apr 2017 | Adaptation, India, Puppetry
Anurupa Roy’s much-feted Mahabharata thrilled audience with the innovative use of puppetry in...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Rebecca Monks | 2nd Apr 2017 | Festivals, Scotland, Theatre and Politics, United Kingdom
In 1947 Edinburgh was still in a post-war haze. The city was craving colour, culture, and above...
Read MorePosted by Peter Michalzik | 2nd Apr 2017 | Germany, Management
Again and again, especially abroad, the question is put why there is no National Theatre in...
Read MorePosted by Jonathan Kalb | 2nd Apr 2017 | New York, Review, United States of America
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
Read MorePosted by Koos Couvée | 2nd Apr 2017 | Theatre and Disability, United Kingdom
An actor born with defects resulting from the drug Thalidomide has been cast as Shakespeare’s...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by Jürgen Berger | 2nd Apr 2017 | Germany, Playwriting
Current plays treat the great global contexts, but also take a look at family structures. There...
Read MorePosted by Nobuko Tanaka | 1st Apr 2017 | Japan, Transcultural Collaborations
John Caird is widely known as the co-director with fellow Englishman Trevor Nunn of Les...
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