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Globalized Modernity in Contemporary Drama

Posted by Jürgen Berger | 2nd Apr 2017 | Germany, Playwriting

Current plays treat the great global contexts, but also take a look at family structures. There...

“Hamlet” at the Tokyo Metropolitan Theatre

Posted by Nobuko Tanaka | 1st Apr 2017 | Japan, Transcultural Collaborations

John Caird is widely known as the co-director with fellow Englishman Trevor Nunn of Les...

Interview: Mikhail Baryshnikov On The Premiere Of Brodsky/Baryshnikov Project In London

Posted by Irene Kukota | 1st Apr 2017 | Interview, Russia, United Kingdom

“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...

The Transcultural Force of a Chinese-style “Decalogue” in Poland

Posted by Andreea Chirita | 31st Mar 2017 | China, Poland, Polish Theatre Abroad, Review, Transcultural Collaborations

In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...

Daughters of Misfortune: Guillermo Calderón’s “Villa”

Posted by Jessica Rizzo | 31st Mar 2017 | Chile, New York, Review, Theatre and Politics, United States of America

Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...

The Independent Theatres of Yerevan and the Search for New Theatrical Forms

Posted by Ani Harutyunyan | 31st Mar 2017 | Armenia, Management

The development of independent theatres in Yerevan has become an important topic for discussion as...

Nine Contemporary Iraqi Plays

Posted by James Al-Shamma | 30th Mar 2017 | Books, Iraq, Playwriting

Nine plays by Iraqi dramatists have been published by Methuen Drama as Contemporary Plays from...

Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez

Posted by Marcos García Barrero | 30th Mar 2017 | Immersive Theatre, Interview, Spain

There is a place in Madrid well known for the old things that are sold inside. It is an antique...

A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski

Posted by Tomasz Wiśniewski | 29th Mar 2017 | Directing, Interview, Poland

Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...

Collaborating Across Borders: Theatre for Integration Project in Portugal

Posted by Francesca Rayner | 29th Mar 2017 | Applied Theatre, Transcultural Collaborations

Between March 2016 and March 2017, students and staff from the Universidade do Minho in Portugal...

Theatre of Displaced People: Post-Maidan Art in Ukraine

Posted by Oksana Dudko | 28th Mar 2017 | Documentary Theatre, Playwriting, Ukraine

“How has theatre changed after Maidan?” is among the most frequently asked questions about...

SANCTA Let’s Community Theatre Thrive in South Africa!

Posted by Vianney Henry Farmer | 28th Mar 2017 | Festivals, South Africa

This year the South African National Community Theatre Association (SANCTA) held its 36th Annual...

Lagos Theatre Festival 2017: A Palatable Feast Of Diverse Servings

Posted by Olisa. TV | 28th Mar 2017 | Festivals, Nigeria

The British Council Arts sponsored 6-day feast of drama, music, dance, art exhibition, and...

Opera: Sex, Violence, and Politics – An Immersive Exhibition

Posted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom

Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...

Hong Kong’s Turbulent Times on Stage in Loong Hong-Man’s “A Floating Family”

Posted by Zolima Citymag | 27th Mar 2017 | Hong Kong

It wasn’t hard for award-winning playwright Loong Man-hong to pick the three eras featured in his...

New Leadership for the Colón Theatre in Buenos Aires

Posted by Pablo Bardin | 27th Mar 2017 | Argentina, Management, Producing

After the resignation of Darío Lopérfido, the theatre is set to undergo several changes with newly...

“Street Plays” at the International Theatre Festival of Kerala

Posted by Vikram Phukan | 27th Mar 2017 | Festivals, India

A Dalit family openly flogged by gau rakshaks for skinning a dead cow, found their extended public...

There Is No Friendship In Politics: “Limehouse” Appeals To The Politically Prone

Posted by Aleks Sierz | 27th Mar 2017 | Review, Theatre and Politics, United Kingdom

Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...

An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin

Posted by Fadi Fayad Skeiker | 26th Mar 2017 | Germany, Interview

Alexander Schroeder has been working for the last fifteen years in the acting department at the...

Understated Risk-Taking in Beckettian “Wakey, Wakey”

Posted by Jonathan Kalb | 26th Mar 2017 | New York, Review, Theatre and Disability, United States of America

Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...

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Latest

Globalized Modernity in Contemporary Drama

“Hamlet” at the Tokyo Metropolitan Theatre

Interview: Mikhail Baryshnikov On The Premiere Of Brodsky/Baryshnikov Project In London

The Transcultural Force of a Chinese-style “Decalogue” in Poland

Daughters of Misfortune: Guillermo Calderón’s “Villa”

The Independent Theatres of Yerevan and the Search for New Theatrical Forms

Nine Contemporary Iraqi Plays

Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez

A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski

Collaborating Across Borders: Theatre for Integration Project in Portugal

SANCTA Let’s Community Theatre Thrive in South Africa!

Lagos Theatre Festival 2017: A Palatable Feast Of Diverse Servings

Opera: Sex, Violence, and Politics – An Immersive Exhibition

Hong Kong’s Turbulent Times on Stage in Loong Hong-Man’s “A Floating Family”

New Leadership for the Colón Theatre in Buenos Aires

“Street Plays” at the International Theatre Festival of Kerala

An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin

Understated Risk-Taking in Beckettian “Wakey, Wakey”

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