My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival
A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...
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The Power of a Collective: Playwright Groups at Centre 42
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
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“Macbeth” at Oregon Shakespeare Festival
“They [the Macbeths] have many attributes that we all share in contemporary society, including...
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Strands of Sisterhood
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
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2019 Kenya International Theatre Festival Call For Applications
The call opens on 1st May, 2019, and closes on 31st July, 2019
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Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
Most theater productions will never become available again, no matter how great the quality,...
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Interview with Plasticiens Volants
In August and September, the street theater collective Plasticiens Volants (PV) return...
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“Black Hole”: Experiments with Female Representation
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
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Edinburgh Fringe 2019: Gig Theatre
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
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Taz Skylar and Ross Berkeley Simpson’s “Warheads” at the Park Theatre: War-scarred Youth
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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Edinburgh International Festival 2019: “Roots” at Church Hill Theatre
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
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Inheriting This Earth: “Mojada” at the Public Theater
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
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Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read More“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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Theatre, Film, and the Future: Anthony Wong Chau-sang and His Ongoing Dynamic Performance Career
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
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“An Enemy of the People” at Will Geer’s Theatricum Botanicum
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
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Force Decisions: A Citizen’s Guide to How Police Determine Appropriate Use of Force by Rory Miller – A Book Review from a Fightaturgy Perspective
I have written elsewhere on recommended reading for early-career fight directors, and I would like...
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Four Brazilian Artists Choose New York as Headquarters of Their Resistance
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
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