Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
Read MorePosted by Sarah Balkin | 16th Jul 2022 | Australia, LGBTQ+ Theatre, Melbourne, Review, Transmedia
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
Read MorePosted by Dvir Avnon-Klein | 12th Jul 2022 | Musical Theatre, New York, Review, Theatre and Opera, United States of America
The new musical Penelope by the York Theatre Company was a fresh and hilarious comedic take on...
Read MorePosted by Andrew Agress | 11th Jul 2022 | Directing, Dramaturgy, New York, Review, United States of America
How is theater like a support group? This question struck me upon entering The Strangers Came...
Read MorePosted by Megan C. McCormick | 8th Jul 2022 | Boston, Canada, Design, Review, Theatre and Dance, United States of America
An incredible spectacle, Cirque du Soleil’s CRYSTAL is an artistic feat, blending circus arts with...
Read MorePosted by Yizhou Zhang | 5th Jul 2022 | China, LGBTQ+ Theatre, London, Review, Theatre and Disability, United Kingdom
As London celebratess the 50th anniversary of the Pride Parade on July 2, I’m reminded of the only...
Read MorePosted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ+ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America
On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...
Read MorePosted by Jonathan Kalb | 2nd Jul 2022 | LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
Taylor Mac is one of those magi of pandemonium who knows how to breach the defenses of people like...
Read MorePosted by Jonathan Kalb | 1st Jul 2022 | New York, Review, Theatre and Decolonization, Theatre and Opera, United States of America
I went to the new opera Intimate Apparel because the 2003 play it was made from is one of my...
Read MorePosted by Praveen Sudevan | 30th Jun 2022 | India, Playwriting, Review, Theatre and Politics
For most of the last two years, Bengaluru-based actor and playwright Spatica Ramanujam was feeling...
Read MorePosted by Thuy Tran | 29th Jun 2022 | Australia, Review, Theatre for Young Audiences, Transmedia
Review: Anything & Everything, Platform Arts, infinity ensemble for Rising. Anything &...
Read MorePosted by Beverley Brommert | 28th Jun 2022 | Acting, LGBTQ+ Theatre, Review, South Africa
SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
Read MorePosted by Antonio Hernández Nieto | 27th Jun 2022 | Design, Review, Spain, Theatre and Gender, Theatre and Opera
A contemporary opera has conquered one of the oldest and prettiest theaters in Spain. It is titled...
Read MorePosted by Sheila Chisholm | 24th Jun 2022 | Review, South Africa, Theatre and Politics
We’ll Meet Again Richard Loring’s nostalgic musical tribute to World War II. Director/Set...
Read MorePosted by Aleks Sierz | 22nd Jun 2022 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Theatre is slowly recovering from the effects of the pandemic, and many shows which were canceled...
Read MorePosted by Aleks Sierz | 18th Jun 2022 | Dramaturgy, London, Playwriting, Review, Theatre and Decolonization, United Kingdom
In the past, most plays by black-British writers have been about the legacy of the Windrush...
Read MorePosted by Vassili Schedrin | 17th Jun 2022 | Dramaturgy, New York, Playwriting, Review, United States of America
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read MorePosted by Jonathan Kalb | 15th Jun 2022 | Musical Theatre, Review, Theatre and Decolonization, United States of America
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read MorePosted by Konrad Zielinski | 14th Jun 2022 | Playwriting, Review, United Kingdom
Konrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...
Read MorePosted by Emily Cordes | 12th Jun 2022 | Adaptation, Review, Transmedia, United States of America
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read MorePosted by Jonathan Kalb | 11th Jun 2022 | Review, Theatre and Decolonization, Theatre and Gender, United States of America
Dominique Morisseau is aware that most of her fans see her as a predominantly naturalistic...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 