“Seven Days Later” at Sarajevo’s Narodno Pozorište
“Who was human before the war, remained so”, says one of the actors in the beginning of the play...
Read MorePosted by Mila Bulimbasic Botteri | 1st Jun 2020 | Bosnia, Documentary Theatre, Review
“Who was human before the war, remained so”, says one of the actors in the beginning of the play...
Read MorePosted by Ariadne Mikou | 29th May 2020 | Italy, Review, Theatre and Dance
Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their...
Read MorePosted by Aleks Sierz | 29th May 2020 | London, Review, Transmedia, United Kingdom
During the lockdown, the best online theatre, more or less, are shows that are specially created...
Read MorePosted by Witold Loska | 24th May 2020 | Poland, Review, Theatre and Politics
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
Read MorePosted by Aleks Sierz | 24th May 2020 | Review, Theatre and Politics, United Kingdom
Over the past couple of months, theatre reviewing has become film reviewing, and venues all over...
Read MorePosted by Aleks Sierz | 21st May 2020 | London, Review, Theatre and Art, United Kingdom
So far, it could be said that the National Theatre is having a good lockdown. Every week, this...
Read MorePosted by Ariadne Mikou | 15th May 2020 | Festivals, Review, Theatre and Film
During an art and culture online ubiquity that was expanded in the course of the global pandemic,...
Read MorePosted by Laura Jayne Wright | 13th May 2020 | Review, Transmedia, United Kingdom
While theatres remain closed, the way we watch Shakespeare is changing. When I picture the...
Read MorePosted by Andrew Agress | 11th May 2020 | New York, Review, United States of America
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
Read MorePosted by Konrad Zielinski | 8th May 2020 | Poland, Polish Theatre Abroad, Review
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
Read MorePosted by Aleks Sierz | 4th May 2020 | London, Review, Theatre and Politics, United Kingdom
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to...
Read MorePosted by Ian Kiyingi Muddu | 4th May 2020 | Musical Theatre, Review, Uganda
It is a full house. Full house on a Friday? That’s rare here. Anyway, we’re almost packed like...
Read MorePosted by Aleks Sierz | 3rd May 2020 | Review, Theatre and Film, United Kingdom
She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are...
Read MorePosted by Aleks Sierz | 1st May 2020 | Review, Theatre and Age, Theatre and Film, United Kingdom
Reviewing theatre now means reviewing the film. Knowing that Emma Rice’s Old Vic 2018 production...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read MorePosted by Neeraja Murthy | 29th Apr 2020 | Devised Theatre, India, Review, Transmedia
Writer and theatre director Amaan Ahmad’s idea of doing digital theatre live received a big...
Read MorePosted by Mila Bulimbasic Botteri | 28th Apr 2020 | Acting, Croatia, Review
Arthur Miller’s The Crucible had its premiere last spring at the Croatian People’s Theatre...
Read MorePosted by Prabalika M. Borah | 28th Apr 2020 | India, Review, Theatre and Art, Transmedia
Actors attempt to host Indian first-ever virtual interactive play Lockdown Love. Multi-hyphenated...
Read MorePosted by Marisa C. Hayes | 26th Apr 2020 | New York, Puppetry, Review, Theatre and Art, Transcultural Collaborations, United States of America
In its simplest form, the proscenium is constructed of little more than cardboard. Small paper...
Read MorePosted by Aleks Sierz | 25th Apr 2020 | Documentary Theatre, Review, Theatre and Film, United Kingdom
Artemisia Gentileschi definitely had a hard time. Although she was an outstanding Renaissance...
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