“Hostel Lights” at the Baxter
HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...
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Review
An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.
Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...
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“Who Killed My Father,” Young Vic
‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...
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A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”
Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...
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“Flo & Joan,” Lund Comedy Festival
Here’s a few things to start with. Following my recent relocation from London to the Swedish...
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“When God Kicks You In The Womb,” The Artist is Born
Performance “When God Kicks You In The Womb”, based on the novel by Ildiko Lovaš, is a...
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“The Drawer Boy” and Another Way of Telling History
The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...
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Haunted History in Cottage Country: “Cottagers and Indians”
Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be...
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“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!
I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...
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Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”
This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...
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“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
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“Chasing Hares” at the Young Vic
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
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Honey, I’m Home! — Robert Icke’s “Oresteia”
If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
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“The Cherry Orchard,” Portland Experimental Theatre Ensemble
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
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Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner”
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
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Sacrament of the Sea: Houseworld’s “Bottom of the Ocean”
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
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Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
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