Review: Love And War In “All’s Well That Ends Well”
Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s,...
Read MoreReview
Review: “Cock”
British playwright Mike Bartlett’s contemporary comedy of manners Cock opened on the Melbourne...
Read More
Tchaikovsky’s “Nutcracker” Cutting Edge On London Ice
Anglo-Russian dance sensation marries ice-skating and theater in their production of Nutcracker on...
Read More“Black Monk” Talks In Tongues
Of all the theatrical languages that coexist in Moscow, director Kama Ginkas is an intonation unto himself. You can hear it in his actors’ speech. “They often speak not as they do in life or even on stage for another...
Read More
Japan’s Kera Meets Chekhov
“I have rarely seen a great production of any Chekhov play in Japan. Sometimes, I’ve even wanted...
Read More
Play By Soviet Writer Gorky Shines On London Stage
A play in which the privileged are out of touch and the poor are getting poorer is all too apt in...
Read More
Chekhov’s Famous Play “Uncle Vanya” Staged In London
A traditional version of Anton Chekhov’s play gets West End glamor and charm but lacks conviction....
Read More
London’s Youngest Playwright Re-Animates “The Seagull” In Southwark
Chekhov’s timeless exploration of youth, aging, and the desire for fame sprouts fresh wings in an...
Read More
Escape From Circus: Review Of Mabou Mines’ “Dollhouse”
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...
Read More
Updated “Three Sisters” Opens At London’s Young Vic
Dark comedy and psychological breakdown are never far from the surface in Benedict Andrews’ bleak...
Read More
The 16th Shakespeare Festival in Gdańsk
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
Read More
Baryshnikov And Krymov Collaborate For The Ages
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
Read More
Artur Żmijewski’s “The White Mass” – On Church and Theatre
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
Read More
The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
Read More
Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre
“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...
Read More
But Why Are They Indispensable?
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
Read More
The End Of The Line: Krystian Lupa’s “Waiting Room.o”
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
Read More
If You Were To Do Tadeusz Różewicz’s “The Card Index”…
The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...
Read More
You’re Welcome, Ms. Müller
In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...
Read MoreLike Us On Facebook
Featured Editors
Popular Posts
How Butoh, The Japanese Dance Of Darkness, Helps Us…
Less Is More Or Less Is Less: The Balancing Act Of…
Eurodram 2018 Honours
The Painter: An Allegory, By Lighting Designer Cory Pattak
Jaclyn Backhaus’ “Men On Boats”…
Russian Theatre On Screen: Yury Butusov’s “The…
Can You Hear Me Now? Dramaturgy: Speaking With Many Voices
Out Of Character: How Acting Puts A Mental Strain On…
