Review Archives - Page 31 of 142

“Ravenscourt,” Hampstead Theatre

Posted by Aleks Sierz | 23rd Oct 2022 | London, Playwriting, Review, United Kingdom

Therapy is inherently dramatic. After all, it’s all about character — and it has the aim of...

The 90-Minute MacGuffin: “Four Saints in Three Acts”

Posted by Jonathan Kalb | 14th Oct 2022 | New York, Review, Theatre and Opera, United States of America

The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...

Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”

Posted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...

Review: Jazzart Dance Theatre’s “Survive”

Posted by Sheila Chisholm | 5th Oct 2022 | Review, South Africa, Theatre and Dance

SURVIVE. Triple Bill: Wasteland choreographed by Dane Hurst. In Body as One choreographers: Grant...

“Viviani on the Road”: The Third Part of the Special Project, Trianon Viviani Theatre in Naples

Posted by Maria Pia Pagani | 3rd Oct 2022 | Adaptation, Directing, Italy, Review

The Trianon Viviani Theatre had offered a new chapter of the special project “Viviani on the Road”...

“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire

Posted by Emiliia Dementsova | 2nd Oct 2022 | Adaptation, Review, Russia, Theatre and Politics

Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...

“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland

Posted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review

Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...

Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity

Posted by Aleks Sierz | 26th Sep 2022 | London, Palestine, Review, Theatre and Politics, United Kingdom

Identity is the sum of the stories we tell ourselves. Some of these are personal, and some...

“Hostel Lights” at the Baxter

Posted by Megan Choritz | 24th Sep 2022 | Design, Review, South Africa, Theatre for Young Audiences

HOSTEL LIGHTS. Zabalaza Finest of the Fest. Written and directed by Sohail Booise. Cast: William...

An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS

Posted by Trevor Boffone | 23rd Sep 2022 | Musical Theatre, Review, United States of America

Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...

Dangerous Desires in “Marie It’s Time”

Posted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...

With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age

Posted by Miriama Young | 20th Sep 2022 | Australia, Design, Musical Theatre, Review, Transmedia

Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...

Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.

Posted by Michelle Arrow | 19th Sep 2022 | Adaptation, Australia, Review, Theatre and Disability

Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...

“Who Killed My Father,” Young Vic

Posted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom

‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

Posted by Huw Griffiths | 13th Sep 2022 | Acting, Adaptation, Australia, Review

Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...

“Flo & Joan,” Lund Comedy Festival

Posted by Duška Radosavljević | 10th Sep 2022 | Festivals, Musical Theatre, Review, Sweden, United Kingdom

Here’s a few things to start with. Following my recent relocation from London to the Swedish...

“When God Kicks You In The Womb,” The Artist is Born

Posted by Emilija Kvočka | 5th Sep 2022 | Design, Directing, Review, Serbia

Performance “When God Kicks You In The Womb”, based on the novel by Ildiko Lovaš, is a...

“The Drawer Boy” and Another Way of Telling History

Posted by Barbara Gabriel | 2nd Sep 2022 | Canada, Directing, Festivals, Review

The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...

Haunted History in Cottage Country: “Cottagers and Indians”

Posted by Barbara Gabriel | 1st Sep 2022 | Canada, Festivals, Review, Theatre and Decolonization

Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be...

“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!

Posted by Azadeh Kangarani | 28th Aug 2022 | Design, Musical Theatre, Review, United States of America

I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...

Review

“Ravenscourt,” Hampstead Theatre

The 90-Minute MacGuffin: “Four Saints in Three Acts”

Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”

Review: Jazzart Dance Theatre’s “Survive”

“Viviani on the Road”: The Third Part of the Special Project, Trianon Viviani Theatre in Naples

“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire

“The Interrupted Dream” by Hong Kong’s Zuni Icosahedron in Wrocław, Poland

Aaron Kilercioglu and Bilal Hasna’s “For A Palestinian” at Camden People’s Theatre: Emotionally Intense Exploration of Identity

“Hostel Lights” at the Baxter

An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS

Dangerous Desires in “Marie It’s Time”

Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.

“Who Killed My Father,” Young Vic

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

“Flo & Joan,” Lund Comedy Festival

“When God Kicks You In The Womb,” The Artist is Born

“The Drawer Boy” and Another Way of Telling History

Haunted History in Cottage Country: “Cottagers and Indians”

“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!

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