Gabrielle Edelstein

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We’ve Been Editing Shakespeare’s Plays for 400 Years— But Does a New Australian Production of “The Tempest” Idealize the Bard?

Posted by Gabrielle Edelstein | 25th Nov 2022 | Adaptation, Australia, Review, Sydney

Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...

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Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play

Posted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review

In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...

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“The Museum of Modern Love” Reminds Us to Engage with Art – and Each Other

Posted by Gabrielle Edelstein | 5th Feb 2022 | Australia, Review, Theatre and Art

When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...

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“Digital Access To The Performing Arts” Released Open Access 7th March 2026
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Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
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“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026

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