Review Archives - Page 131 of 131

Japan’s Kera Meets Chekhov

Posted by Nobuko Tanaka | 12th Sep 2013 | Japan, Review, Russia, Transcultural Collaborations

“I have rarely seen a great production of any Chekhov play in Japan. Sometimes, I’ve even wanted...

Play By Soviet Writer Gorky Shines On London Stage

Posted by Phoebe Taplin | 25th Apr 2013 | Review, Russia, Theatre and Politics

A play in which the privileged are out of touch and the poor are getting poorer is all too apt in...

“The Curious Incident of the Dog in the Night-Time” at Apollo Theatre

Posted by Aleks Sierz | 17th Mar 2013 | Adaptation, London, Review, United Kingdom

Science is an area of perennial fascination for the theatre. In the past, plays as various as Tom...

Chekhov’s Famous Play “Uncle Vanya” Staged In London

Posted by Phoebe Taplin | 4th Jan 2013 | Adaptation, Review, Russia

A traditional version of Anton Chekhov’s play gets West End glamor and charm but lacks conviction....

London’s Youngest Playwright Re-Animates “The Seagull” In Southwark

Posted by Phoebe Taplin | 20th Nov 2012 | Adaptation, Review, Russia

Chekhov’s timeless exploration of youth, aging, and the desire for fame sprouts fresh wings in an...

Escape From Circus: Review Of Mabou Mines’ “Dollhouse”

Posted by Magda Romanska | 2nd Oct 2012 | Review, Theatre and Disability, Theatre and Politics, United States of America

During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...

Updated “Three Sisters” Opens At London’s Young Vic

Posted by Phoebe Taplin | 28th Sep 2012 | London, Review, Russia, United Kingdom

Dark comedy and psychological breakdown are never far from the surface in Benedict Andrews’ bleak...

The 16th Shakespeare Festival in Gdańsk

Posted by Agnieszka Kochanowska | 21st Jun 2012 | Festivals, Poland, Review, Theatre and Politics

This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...

Baryshnikov And Krymov Collaborate For The Ages

Posted by Emmanuel Grynszpan | 31st May 2012 | Directing, Review, Russia

For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...

Artur Żmijewski’s “The White Mass” – On Church and Theatre

Posted by Piotr Gruszczynski | 22nd Jan 2012 | Poland, Review, Theatre and Politics

Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Posted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review

Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

Posted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review

“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...

But Why Are They Indispensable?

Posted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review

In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

Posted by Pawel Soszynski | 22nd Sep 2011 | Directing, Poland, Review

What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...

If You Were To Do Tadeusz Różewicz’s “The Card Index”…

Posted by Pawel Ploski | 7th Jun 2011 | Adaptation, Poland, Review

The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...

You’re Welcome, Ms. Müller

Posted by Joanna Wichowska | 5th Feb 2011 | Adaptation, Poland, Review

In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...

World Premiere: Ousmane Aledji’s “Traumatism”

Posted by The Theatre Times | 9th Nov 2010 | Benin, Review

On October 27, 28 & 29, 2010 at 8pm AfricAvenir presented the world premiere of the theatre...

Review

Play By Soviet Writer Gorky Shines On London Stage

“The Curious Incident of the Dog in the Night-Time” at Apollo Theatre

Chekhov’s Famous Play “Uncle Vanya” Staged In London

London’s Youngest Playwright Re-Animates “The Seagull” In Southwark

Escape From Circus: Review Of Mabou Mines’ “Dollhouse”

Updated “Three Sisters” Opens At London’s Young Vic

The 16th Shakespeare Festival in Gdańsk

Baryshnikov And Krymov Collaborate For The Ages

Artur Żmijewski’s “The White Mass” – On Church and Theatre

The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”

Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre

But Why Are They Indispensable?

The End Of The Line: Krystian Lupa’s “Waiting Room.o”

If You Were To Do Tadeusz Różewicz’s “The Card Index”…

You’re Welcome, Ms. Müller

World Premiere: Ousmane Aledji’s “Traumatism”

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