Review Archives - Page 131 of 143

The Things We Carry: Geoff Sobelle’s “The Object Lesson”

Posted by Jessica Rizzo | 10th Feb 2017 | Immersive Theatre, New York, Review, United States of America

“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...

Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre

Posted by Andreea Scridon | 6th Feb 2017 | London, Review, Russia, Russian Theatre Abroad, Transcultural Collaborations, Translation, United Kingdom, United States of America

Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...

Last Spring, Dementia Made It to Broadway! Part 2

Posted by Elinor Fuchs | 4th Feb 2017 | New York, Review, Theatre and Age, United States of America

Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...

“Peter Pan Goes Wrong” But Gets Comedy Right

Posted by Jeff Robson | 1st Feb 2017 | Adaptation, Review, United Kingdom

The antithesis of some of the slick, accomplished television premieres of the festive season was...

Life Is a Kitchen: A Review of the Iranian Adaptation of Arnold Wesker’s “The Kitchen”

Posted by Baharak Sahami | 1st Feb 2017 | Iran, Review

The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...

Contemporary Dance in Belarus in the Early 21st Century: “Waiting for Godot”

Posted by Svetlana Ulanovskaya | 31st Jan 2017 | Belarus, Review, Theatre and Dance

During the last decade, two interconnected processes of legalization and professionalization have...

From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London

Posted by Alice Jones | 30th Jan 2017 | London, News, Review, United Kingdom

The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...

August Wilson’s “Jitney” on Broadway

Posted by Rachel E. Diken | 28th Jan 2017 | New York, Review, United States of America

A brief—dashed, if you will—argument for the relevance, humanness, and endearment of themes in...

Chelfitsch’s “Current Location” – A Mirror To Reality After The March 2011 Earthquake

Posted by Ramona Taranu | 28th Jan 2017 | Japan, Review

Current Location (Genzaichi in Japanese), written and directed by Okada Toshiki, founder of the...

“Fuenteovejuna” From Margin to Centerstage

Posted by Mara Valderrama | 28th Jan 2017 | Review, Spain, Theatre and Gender

TNT El Vacie is one of the most unique theatre companies in Spain. This group of Gypsy illiterate...

A Meditation for Holocaust Memorial Day: “Viennese Kaddish”

Posted by Maria Pia Pagani | 27th Jan 2017 | Review, Russia

Born in Kharkov on 12 November 1937, Mikhail Berman-Tsikinovsky is a Russian-speaking émigré who...

“Hedda Gabbler” Adaptation Has Too Much Direction

Posted by Aleks Sierz | 27th Jan 2017 | Adaptation, Review, United Kingdom

Theatre conventions are a funny thing. Nowadays, it’s actually quite difficult to see a modern...

“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE

Posted by Kristof Van Baarle | 22nd Jan 2017 | Belgium, Immersive Theatre, Review, Transmedia

In this time of superdiversity, with different cultures and strata of the population living...

“NIMBY” From Chilean-French Company Colectivo Zoológico at Iberoamerikanisches Theaterfestival

Posted by Andrea Pelegri Kristić | 20th Jan 2017 | Chile, Festivals, Germany, Review, Transcultural Collaborations, Translation

On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...

“Wish List” Is A Poor Portrayal Of The Welfare System

Posted by Aleks Sierz | 19th Jan 2017 | Review, Theatre and Disability, United Kingdom

You could call it the Corbynisation of new writing. In the past couple of years, a series of plays...

Pith and Pathos In “Mata Hari” – A New Opera at HERE

Posted by Jack Wernick | 17th Jan 2017 | New York, Review, Theatre and Opera, United States of America

There is no doubting the ambitions of Mata Hari, enjoying its world premiere at HERE, in New...

Dementia: The Theater Season’s “In” Disease Part 1

Posted by Elinor Fuchs | 16th Jan 2017 | New York, Review, Theatre and Age, United States of America

Not so long ago characters didn’t lose their memories onstage, even if on rare occasion actors...

The Delicate Side of Heavy Metal: Philippe Quesne’s “La Mélancolie des Dragons”

Posted by Amanda Boekelheide | 14th Jan 2017 | France, New York, Review, Theatre and Opera, United States of America

Striking visual images from French director Philippe Quesne’s “La Mélancolie des Dragons,” presented by The Public Theater’s Under The Radar Festival.

Panchajanya: A Bold Interpretation of the Noble Feats of Lord Krishna on Stage

Posted by Ketaki Datta | 12th Jan 2017 | Adaptation, India, Review

Nandikar is a theatre-group of Bengal, which has almost four decades of experience to cash in on,...

Open Online Theatre Invites Its Audience to “Walk Into Space”

Posted by Alexander Beeching | 11th Jan 2017 | Devised Theatre, London, Review, Theatre and Dance, Transmedia, United Kingdom

IJAD Dance Company begins 2017 with two firsts: the launch of its pioneering new digital platform...

Review

The Things We Carry: Geoff Sobelle’s “The Object Lesson”

Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre

Last Spring, Dementia Made It to Broadway! Part 2

“Peter Pan Goes Wrong” But Gets Comedy Right

Life Is a Kitchen: A Review of the Iranian Adaptation of Arnold Wesker’s “The Kitchen”

Contemporary Dance in Belarus in the Early 21st Century: “Waiting for Godot”

From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London

August Wilson’s “Jitney” on Broadway

Chelfitsch’s “Current Location” – A Mirror To Reality After The March 2011 Earthquake

“Fuenteovejuna” From Margin to Centerstage

A Meditation for Holocaust Memorial Day: “Viennese Kaddish”

“Hedda Gabbler” Adaptation Has Too Much Direction

“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE

“NIMBY” From Chilean-French Company Colectivo Zoológico at Iberoamerikanisches Theaterfestival

“Wish List” Is A Poor Portrayal Of The Welfare System

Pith and Pathos In “Mata Hari” – A New Opera at HERE

Dementia: The Theater Season’s “In” Disease Part 1

The Delicate Side of Heavy Metal: Philippe Quesne’s “La Mélancolie des Dragons”

Panchajanya: A Bold Interpretation of the Noble Feats of Lord Krishna on Stage

Open Online Theatre Invites Its Audience to “Walk Into Space”

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