Lars von Trier’s “Breaking the Waves” Opera at PROTOTYPE: Opera/Theatre/Now
Both postmodern tragedy and ageless love story, Lars von Trier’s 1996 film seemed inevitable...
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Review
Catch as Catch Can: Holden at the New Ohio Theatre
Reading J. D. Salinger’s 1951 The Catcher in the Rye marks the moment in the lives of countless...
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Performances of Philippine Folk Stories in UP Diliman for the National Arts Month in February
In celebration of the National Arts Month in February 2017, the University of the Philippines...
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“A Doll’s House”: Actors in Reality Theatre
A lonely corner at night in the London neighborhood of Hackney. A group of strangers meet,...
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“Injured Neighborhood” (Herido barrio), by Matemurga Takes on Gentrification
The communitarian theatre group Matemurga, from Villa Crespo (Buenos Aires), closed the 2016...
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Theatre Lie-Detector Test: NYC End-of-the-Year Roundup Edition
TRUE: Daniel Craig has real acting chops. If you doubted this because you thought the role of...
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“Hopscotch Opera”: A Mobile Opera For 24 Cars From The Industry LA
Imagine getting in a car without knowing the destination. Sharing the car are singers, actors, and...
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Immersive Theatre Takes Hold in Moscow
Moscow theater, usually receptive to innovative forms, has taken a little while to catch on to the...
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Made in Nigeria: When Lagos Stood in Applause for Dike Chukwumerije
A guitar-strumming Kuchi opened the floor with her somewhat hoarse yet unique voice. The strings...
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A New Form Of Classical Indian Dance
That Bharatanatyam is presented as dance drama is not new. Usage of props and costumes like in...
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“Cut Piece for Pants Suit” in Madison Square Park
Once every four years most Americans sheepishly admit to trusted friends of similar political...
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Hamlet in New Delhi: The World Is A Prison
K. Madavane has directed about 100 plays in English, Hindi, French, and German. His directorial...
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Trilogy “Distrito de Molo” Tackles The Myth of The Once-Glorious City
Quite possibly, for the inveterate theater-goer, what immediately comes to mind as one sits down...
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“The Babylon Line,” Richard Greenberg’s New Play at the Mitzi Newhouse Theatre
Anyone so inclined could find plenty of reasons to carp about The Babylon Line, Richard...
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Chekhov Resonates: “The Hummm” at Dixon Place
Chekhov’s Three Sisters is distilled into vibration and iteration in The Hummm, a radical...
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Ntsoana: Changing the Perceptions and B(l)ending the Conventions of Art
The Ntsoana Contemporary Dance Theatre celebrated its tenth anniversary, during the first weekend...
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Lynn Nottage’s “Sweat” at The Public Theatre
What a journey Lynn Nottage’s Sweat has had. When this gorgeously incisive play about heartbreak...
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Between Masculinity and Modernity: “Best Of (His Story)”
In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...
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Heterosexual Dystopia in “The Love That Dare Not Speak Its Name”
Bold and provocative, directed by Sarah Vickery.Thomas Ian Doyle’s latest work – The Upstairs...
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Unbounded Soliloquy: Wajdi Mouawad’s “Seuls”
Seuls Written, Directed, and Performed by Wajdi Mouawad The Wilma Theater, Philadelphia Nov....
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