Toyooka Theater Festival Brings French Flair to Japan’s Theater Scene
Performing arts festivals and opportunities to enjoy live entertainment have been few and far...
Read MorePosted by Nobuko Tanaka | 14th Oct 2020 | Festivals, Interview, Japan
Performing arts festivals and opportunities to enjoy live entertainment have been few and far...
Read MorePosted by May Selim | 13th Oct 2020 | Adaptation, Egypt, Review
Basing his work on Naguib Mahfouz’s 1981 polyphonic novel Afrah Al-Qobba’s Wedding...
Read MorePosted by Ian Kiyingi Muddu | 12th Oct 2020 | Musical Theatre, Review, South Africa, Theatre and Gender
African musical theatre seems to be growing by leaps and bounds. In the last couple of years,...
Read MorePosted by Sarah Bay-Cheng | 12th Oct 2020 | Covid-19, Essay, Participatory Theatre, United States of America
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
Read MorePosted by Aleks Sierz | 11th Oct 2020 | London, Review, Theatre and Politics, United Kingdom
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
Read MorePosted by Colden Lamb | 7th Oct 2020 | Design, Interview, United States of America
In March 2020, Colden Lamb had the opportunity to sit down with award-winning costume designer...
Read MorePosted by Aleks Sierz | 5th Oct 2020 | London, Review, Theatre and Art, United Kingdom
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
Read MorePosted by Alexander Mantush | 3rd Oct 2020 | Dramaturgy, Interview, Poland, Translation
In the post-Soviet area, the play’s path to the stage has always been a thorny one, so the drama...
Read MorePosted by Duncan Wheeler | 1st Oct 2020 | Covid-19, Immersive Theatre, Review, Spain, Theatre and Politics, Transmedia
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
Read MorePosted by French Culture | 29th Sep 2020 | Festivals, France, News
Starting September 2020, Festival Experiences, a subsidiary company of the Festival...
Read MorePosted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
Read MorePosted by The Hindu | 27th Sep 2020 | India, Management, News
Actor and former BJP MP Paresh Rawal has been appointed as the chairperson of the National School...
Read MorePosted by Lola Proaño Gomez | 26th Sep 2020 | Argentina, Covid-19, Dramaturgy, Essay, Transmedia
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
Read MorePosted by Vassili Schedrin | 25th Sep 2020 | Interview, Israel, Poland, Puppetry, Theatre and Film, Theatre and Politics
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
Read MorePosted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Michael Schweikardt | 22nd Sep 2020 | Design, Interview, United States of America
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
Read MorePosted by Xunnan Li | 21st Sep 2020 | Asia, News, Theatre and Film
On August 27th, China Daily in Hong Kong held the fifth webinar of a series called “Creative...
Read MorePosted by Alexander Mantush | 19th Sep 2020 | Belarus, Essay, Theatre and Politics
100 years ago the first-ever professional theatre in the modern history of Belarus opened its...
Read MorePosted by John O'Regan | 17th Sep 2020 | Festivals, Interview, Poland, Theatre and Politics, Transcultural Collaborations, Transmedia
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
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