Interview Archives - Page 8 of 38

In Conversation with Regan Hicks: Part Two

Posted by Rhiannon Ling | 25th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America

This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...

In Conversation with Regan Hicks: Part One

Posted by Rhiannon Ling | 24th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America

Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...

Parastoo Theatre: Art, Refuge, Action

Posted by Deborah Augustin | 11th Aug 2022 | Afghanistan, Applied Theatre, Interview, Malaysia, Theatre and Politics

The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...

”Seven Women in Search of Mia” or ”Breast Cancer Trilogy” (A Postproduction Reflection)

Posted by Cătălina Florina Florescu | 1st Aug 2022 | Interview, New York, Playwriting, Theatre and Gender, United States of America

In 2011, I published my first medical humanities book, Transacting Sites of the Liminal Bodily...

A Director Needs “to Practice What They Preach”: An Interview with Milosh Andonovski, Theatre Director and Educator

Posted by Ivanka Apostolova Baskar | 31st Jul 2022 | Directing, Education, Interview, Macedonia

Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...

Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death

Posted by Usha Raman | 28th Jul 2022 | India, Interview, Management, Theatre and Film

Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...

An Interview with Prof. Ana Stojanoska—Theater Scholar, Writer, and Poet

Posted by Ivanka Apostolova Baskar | 26th Jul 2022 | Education, Interview, Macedonia, Producing

Ana Stojanoska (1977, Prilep) is theatrologist, writer, and full professor at the Faculty of...

The Death of Madam Dupin: Is the Balkan the Sub-Saharan Africa of Europe?

Posted by Ivanka Apostolova Baskar | 23rd Jul 2022 | Interview, Playwriting, Serbia, Theatre and Art

An Interview with Katarina Saric – poet, writer, performer, activist-feminist (Montenegro)...

“The Aliens Make Thanksgiving Dinner:” An Interview With Co-Creators James Clements, Derya Celikkol, and Maamoun Tebbo

Posted by Emily Cordes | 22nd Jul 2022 | Devised Theatre, Interview, New York, Transcultural Collaborations, United States of America

“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...

Farrah El Dibany: First Egyptian and Arab to Perform at Paris Opera

Posted by Kadry Al-Haggar | 17th Jul 2022 | Egypt, France, Interview, Theatre and Opera

I’m honored to be recognized by Egyptian and French presidents, says El Dibany. Egpytian...

Barcelona Art Scene: “Next to Normal Immersive” at Grec 2022 Festival

Posted by Alexander Fatouros | 13th Jul 2022 | Design, Directing, Interview, Musical Theatre, Spain

Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...

Győr Is Once Again the Capital of Dance

Posted by Judit Szlovák | 9th Jul 2022 | Festivals, Hungary, Interview, Theatre and Dance

The western Hungarian city of Győr will once again be dominated by dance this year from June 13 to...

“On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov

Posted by Sergey Elkin | 3rd Jul 2022 | Adaptation, Directing, Interview, Russia

Dmitry Krymov: artist, director, stage designer, teacher. The son of two of the great theatrical...

A New Translation of Molière’s “Dom Juan” for the 21st Century

Posted by Philippa Wehle | 26th Jun 2022 | Interview, New York, Translation, United States of America

A Preview of a new translation of Molière’s Dom Juan for the 21st century by Gideon Lester and...

From a Position of Perspectives: An Interview with Patrice Pavis

Posted by Ivanka Apostolova Baskar | 21st Jun 2022 | Dramaturgy, France, Interview, Theatre and Politics, United Kingdom

There is always a cultural gap between scholars and artists, each group being suspicious of the...

Director Maria Mileaf and Actor Aline Salloum on Oren Safdie’s High School Crush Gone Sideways, “Gratitude”

Posted by Fareeda Pyracha Ahmed | 13th Jun 2022 | Acting, Directing, Interview, New York, United States of America

Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...

“The Legend of the Waitress & the Robber”: World Premiere of NYC-Seoul Collaboration Inspired by Schiller and Hong Gildong

Posted by Walter Byongsok Chon | 21st May 2022 | Interview, New York, South Korea, Transcultural Collaborations, United States of America

The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...

“Theater Now Is Important, It Gives People the Feeling that They Are Not Alone”: An Interview with the Ukrainian Playwright Andriy Bondarenko

Posted by Raluca Rădulescu | 18th May 2022 | Interview, Playwriting, Theatre and Politics, Ukraine

Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...

Gregg Mozgala, Broadway Actor Organizes Festival Celebrating Deaf/Disabled Artists

Posted by The Theatre Times | 14th May 2022 | Festivals, Interview, New York, Theatre and Disability, United States of America

Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II

Posted by Yana Meerzon | 13th May 2022 | Interview, Management, Russia, Theatre and Politics

This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...

Interview

In Conversation with Regan Hicks: Part Two

In Conversation with Regan Hicks: Part One

Parastoo Theatre: Art, Refuge, Action

”Seven Women in Search of Mia” or ”Breast Cancer Trilogy” (A Postproduction Reflection)

A Director Needs “to Practice What They Preach”: An Interview with Milosh Andonovski, Theatre Director and Educator

Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death

An Interview with Prof. Ana Stojanoska—Theater Scholar, Writer, and Poet

The Death of Madam Dupin: Is the Balkan the Sub-Saharan Africa of Europe?

“The Aliens Make Thanksgiving Dinner:” An Interview With Co-Creators James Clements, Derya Celikkol, and Maamoun Tebbo

Farrah El Dibany: First Egyptian and Arab to Perform at Paris Opera

Barcelona Art Scene: “Next to Normal Immersive” at Grec 2022 Festival

Győr Is Once Again the Capital of Dance

“On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov

A New Translation of Molière’s “Dom Juan” for the 21st Century

From a Position of Perspectives: An Interview with Patrice Pavis

Director Maria Mileaf and Actor Aline Salloum on Oren Safdie’s High School Crush Gone Sideways, “Gratitude”

“The Legend of the Waitress & the Robber”: World Premiere of NYC-Seoul Collaboration Inspired by Schiller and Hong Gildong

“Theater Now Is Important, It Gives People the Feeling that They Are Not Alone”: An Interview with the Ukrainian Playwright Andriy Bondarenko

Gregg Mozgala, Broadway Actor Organizes Festival Celebrating Deaf/Disabled Artists

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II

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