Suzanne Foellmer: Choreography As A Form Of Protest
Politically motivated flash mobs and performances react to current questions of society with...
Read MorePosted by Nadine Berghausen | 8th Dec 2018 | Germany, Interview, Theatre and Politics
Politically motivated flash mobs and performances react to current questions of society with...
Read MorePosted by Michael Schweikardt | 6th Dec 2018 | Design, Interview, United States of America
Joe Klug is a gifted scenic designer who has a passion for reimagining musicals, particularly in...
Read MorePosted by Ágnes Bakk | 23rd Nov 2018 | Interview, New York, Participatory Theatre, Transmedia, United States of America
Clara Fernandez-Vara is an Associate Arts Professor at New York University. Her background is in...
Read MorePosted by Elisa Rocha | 18th Nov 2018 | Interview, Los Angeles, Theatre and Dance, Theatre and Disability, United States of America
Invertigo Dance Theatre is a provocative and passionate dance company based in Los Angeles. Laura...
Read MorePosted by Grace Power | 18th Nov 2018 | Interview, New York, Playwriting, United States of America
Alexis Roblan graduated from the University of Southern California’s MFA in Dramatic Writing...
Read MorePosted by Riley Rudy | 7th Nov 2018 | Interview, London, Playwriting, Theatre and Gender, United Kingdom
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
Read MorePosted by Robyn Grant-Moran | 7th Nov 2018 | Canada, Interview, Theatre and Opera
Note: Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon and director...
Read MorePosted by Clement Lee | 3rd Nov 2018 | Belgium, Dramaturgy, Hong Kong, Interview, Theatre and Politics
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
Read MorePosted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Review, Theatre and Disability, Transcultural Collaborations, United States of America
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
Read MorePosted by Sergey Elkin | 1st Nov 2018 | Directing, Interview, Russia, Russian Theatre Abroad
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Nobuko Tanaka | 20th Oct 2018 | Directing, Interview, Japan
There has always been a considerable amount of cultural exchange between China and Japan, but...
Read MorePosted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
Read MorePosted by David Vernon | 19th Oct 2018 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America
Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...
Read MorePosted by Deepa Ganesh | 10th Oct 2018 | India, Interview, Playwriting
Girish Karnad’s new play Rakshasa Tangadi puts the spotlight on Vijayanagar empire. More than his...
Read MorePosted by Sébastien Hendrickx | 7th Oct 2018 | Belgium, Interview
Milo Rau and Joachim Ben Yakoub in conversation on the Ghent Manifesto. In May NTGent published...
Read MorePosted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
Read MorePosted by Nicole Birmann Bloom | 22nd Sep 2018 | Adaptation, France, Interview
The 7th Edition of Seuls en scène, Princeton French Theater Festival presents Harlem...
Read MorePosted by Rie Hammer | 3rd Sep 2018 | Directing, Greece, Interview, Theatre and Gender, Theatre and Opera
The Greek-born opera director Rodula Gaitanou has made a name for herself internationally. She is...
Read MorePosted by Nobuko Tanaka | 24th Aug 2018 | Interview, Japan, Playwriting
When he was 16, Hideto Iwai was perplexed as to why everyone around him unquestioningly jumped...
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