I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds
Scenic designer Sean Fanning recently designed a beautiful and provocative set for Jack Thorne’s...
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Interview
A Russian in Hong Kong – Kristina Pakhomova and “Lady Death”
For most people in Hong Kong, the name Lyudmila Pavlichenko certainly does not ring a bell. She is...
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Interview with Compagnie Dyptik
Founded in 2012 by two breakdancers, Souhail Marchiche and Mehdi Meghari, Compagnie Dyptik is...
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Billy Langa and Mahlatsi Mokgonyana on Pushing the Boundaries of the Craft
Collaborators Billy Langa and Mahlatsi Mokgonyana better known as ‘Theatre Duo’ are what one could...
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Interview with Oksana Haiko
Oksana Haiko is an actress, art-manager and one of the founders of Brest-based theatre “Kryly...
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Acceptance, Representation, and Everlasting Season of Love: Kelsee Sweigard as Maureen Johnson in The 20th Anniversary Touring Production of “Rent”
It has been nearly 25 years since RENT opened on Broadway, redefining the landscape of American...
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“The Greatest Event in a Doll’s Life.” A New Work on Marriage in Contemporary China
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
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An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
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Reflecting on Theatre Education and History with Laurence Senelick
Laurence Senelick, Fletcher Professor of Drama and Oratory Emeritus, is a theatre historian...
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Tradition and Modernity in Chinese Theatre: Interview with Shule Li, Director of “Pythonland”
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
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Another Step Forward: An Interview With Homo Cosmos Theatre CEO Founder Katsiaryna Saladukha
In September 2019 new theatre season starts, promising not only new performances but some new...
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Interview with Emily Mann
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
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Lily Houghton and Kylie M. Brown on “Of the Woman,” World Premiere at Normal Ave
Normal Ave is setting out to nurture a community of new and diverse voices and to make theater...
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An Original Tokyo Musical Destined For Bigger Things
Disturbance is an original musical, making its world premiere in Tokyo this month. We spoke with...
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Milly Thomas on Her Off-Broadway Show “Dust” at New York Theatre Workshop
Milly Thomas is a writer and actor who hails from London. She is currently starring off-Broadway...
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How Does Commercial Theatre Fare In Delhi?
Grand sets, lavish costumes, technical extravaganza, celebrity actors, and pricey tickets —...
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“For Me, The Script Is Not God”: Interview With Sunil Shanbag, Director Of “Words Have Been Uttered”
“While being respectful, I am not reverential,” says he, an Indian theatre director, screenwriter,...
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Khekhe On His Journey And Future In Zimbabwean Theatre
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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