Uganda’s Creative Industry Under Siege Again
The entertainment or creative arts industry is as old as humanity. It is one of the ways through...
Read MorePosted by Sylver Kyagulanyi | 18th Oct 2020 | Essay, Theatre and Politics, Uganda
The entertainment or creative arts industry is as old as humanity. It is one of the ways through...
Read MorePosted by Niloofar Mohtadi | 17th Oct 2020 | Interview, Iran, Italy, Theatre and Dance, Transcultural Collaborations
Niayesh Nahavandian is a young, Iranian female performing artist that has lived and worked in...
Read MorePosted by Franciszek Bryk | 16th Oct 2020 | Festivals, Poland, Theatre and Dance
Mid-September brought us a week of new, Polish theatre productions, and a sneak peek behind the...
Read MorePosted by Marcina Zaccaria | 15th Oct 2020 | New York, Review, Theatre and Opera, United States of America
How do we continue forward without the great opera houses open? It is an extraordinary moment for...
Read MorePosted by Emiliia Dementsova | 15th Oct 2020 | Puppetry, Review, Russia, Theatre and Politics
If the United States again accuses Russia of interfering in the election, it will almost certainly...
Read MorePosted by Leigh Boucher | 14th Oct 2020 | Australia, Review, Sydney, Theatre and Politics
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
Read MorePosted by Nobuko Tanaka | 14th Oct 2020 | Festivals, Interview, Japan
Performing arts festivals and opportunities to enjoy live entertainment have been few and far...
Read MorePosted by May Selim | 13th Oct 2020 | Adaptation, Egypt, Review
Basing his work on Naguib Mahfouz’s 1981 polyphonic novel Afrah Al-Qobba’s Wedding...
Read MorePosted by Gowri S | 13th Oct 2020 | Covid-19, India, Transmedia
Actor Shernaz Patel speaks about supervising the transition of theatre to benefit an online...
Read MorePosted by Ian Kiyingi Muddu | 12th Oct 2020 | Musical Theatre, Review, South Africa, Theatre and Gender
African musical theatre seems to be growing by leaps and bounds. In the last couple of years,...
Read MorePosted by Sarah Bay-Cheng | 12th Oct 2020 | Covid-19, Essay, Participatory Theatre, United States of America
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
Read MorePosted by Aleks Sierz | 11th Oct 2020 | London, Review, Theatre and Politics, United Kingdom
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
Read MorePosted by François Audet, Alexandre P. Bédard, and Caroline Coulombe | 10th Oct 2020 | Cambodia, Covid-19, Festivals
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
Read MorePosted by David O'Donnell | 9th Oct 2020 | Acting, New Zealand, Russia, Theatre and Age
In June 2017 the eminent New Zealand actor Dame Kate Harcourt celebrated her 90th birthday at...
Read MorePosted by Heather Waters | 8th Oct 2020 | Los Angeles, Playwriting, Theatre and Politics, United States of America
Sweat, by Lynn Nottage, is a cautionary tale about how the effects of poverty, or the threat of...
Read MorePosted by Colden Lamb | 7th Oct 2020 | Design, Interview, United States of America
In March 2020, Colden Lamb had the opportunity to sit down with award-winning costume designer...
Read MorePosted by Peter Tregear | 6th Oct 2020 | Australia, Covid-19, Theatre and Opera
Anyone looking for evidence of just how devastating the COVID-19 pandemic has been to Australia’s...
Read MorePosted by Aleks Sierz | 5th Oct 2020 | London, Review, Theatre and Art, United Kingdom
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
Read MorePosted by Ariadne Mikou | 4th Oct 2020 | Festivals, Italy, Theatre and Dance
Despite national and regional COVID-19 guidelines for the logistical elements of performance,...
Read MorePosted by Alexander Mantush | 3rd Oct 2020 | Dramaturgy, Interview, Poland, Translation
In the post-Soviet area, the play’s path to the stage has always been a thorny one, so the drama...
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