Kerala’s ‘Tholpavakoothu’ as a Modern Avatar in a Music Video
“The use of Kerala’s traditional puppetry in a music video by director Emcy Joseph throws...
Read MorePosted by Shilpa Nair Anand | 30th Sep 2020 | India, Puppetry, Transmedia
“The use of Kerala’s traditional puppetry in a music video by director Emcy Joseph throws...
Read MorePosted by French Culture | 29th Sep 2020 | Festivals, France, News
Starting September 2020, Festival Experiences, a subsidiary company of the Festival...
Read MorePosted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
Read MorePosted by The Hindu | 27th Sep 2020 | India, Management, News
Actor and former BJP MP Paresh Rawal has been appointed as the chairperson of the National School...
Read MorePosted by Lola Proaño Gomez | 26th Sep 2020 | Argentina, Covid-19, Dramaturgy, Essay, Transmedia
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
Read MorePosted by Vassili Schedrin | 25th Sep 2020 | Interview, Israel, Poland, Puppetry, Theatre and Film, Theatre and Politics
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
Read MorePosted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Neil Thomas Smith | 23rd Sep 2020 | Covid-19, Devised Theatre, Producing
You pass through a wide doorway to a large space with good air circulation. Inside, an usher...
Read MorePosted by Michael Schweikardt | 22nd Sep 2020 | Design, Interview, United States of America
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
Read MorePosted by Rhiannon Ling | 21st Sep 2020 | Adaptation, Covid-19, United States of America
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
Read MorePosted by Xunnan Li | 21st Sep 2020 | Asia, News, Theatre and Film
On August 27th, China Daily in Hong Kong held the fifth webinar of a series called “Creative...
Read MorePosted by Alice Nelson | 20th Sep 2020 | Applied Theatre, Canada, Covid-19, Puppetry
It’s late on a Friday night in July and I’m setting up my kitchen for co-hosting an online puppet...
Read MorePosted by Alexander Mantush | 19th Sep 2020 | Belarus, Essay, Theatre and Politics
100 years ago the first-ever professional theatre in the modern history of Belarus opened its...
Read MorePosted by Hilary Halba and David O’Donnell with David Hutchinson, Rua McCallum and Martyn Roberts | 18th Sep 2020 | Devised Theatre, New Zealand, Theatre and Science, Transcultural Collaborations
In the era of Covid 19, when our theatres have been forced to close throughout Aotearoa/New...
Read MorePosted by John O'Regan | 17th Sep 2020 | Festivals, Interview, Poland, Theatre and Politics, Transcultural Collaborations, Transmedia
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
Read MorePosted by Zolima Citymag | 15th Sep 2020 | Design, Hong Kong, Theatre and Art, Theatre and Politics
When you step into Wheezing, Mark Chung’s new show at de Sarthe Gallery, the first thing you...
Read MorePosted by Neeraja Murthy | 15th Sep 2020 | Festivals, India, Review
Prayogam Theatre Group pays tribute to senior journalist GLN Murthy and hopes to engage the...
Read MorePosted by Franciszek Bryk | 14th Sep 2020 | Directing, Festivals, News, Poland, Transmedia
Cursed problems often require unorthodox solutions, ones that transgress or delineate anew...
Read MorePosted by Ian Kiyingi Muddu | 13th Sep 2020 | Covid-19, Essay, Uganda
Moses Tumwebaze is a full-time actor in the Ugandan Theatre industry. He is a member of The...
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