The entertainment or creative arts industry is as old as humanity. It is one of the ways through which people demonstrate ingenuity and craft to make our lives more beautiful and worthwhile using creative arts, including music, dance, drama, painting, and poetry, to mention but a few. This naturally broadens the concept of natural resources to include human intellectual capabilities.
In the information age, the greater world has slowly chiseled this ingenuity into a knowledge-based economy that relies on the intellectual property rather than agriculture and other traditional economies. The benefits are apparent.
In 2019, the entertainment and information sector in the USA stood at a 9.4% contribution to the GDP, while agriculture accounted for only 0.8%. In the same year, in Nigeria, the entertainment plus the information and communication sector–which encompasses literary publishing, motion pictures, sound recordings, music production, and broadcasting–contributed 14.79%, while the oil sector contributed 9.14% to the country’s GDP.
It is worth noting that the creative arts industry feeds the information and communication sector through literary works, motion pictures, sound recordings, music production, and broadcasting as well as the recreation sector.
It is evident from the past actions that Uganda is struggling in understanding the role of creative arts in national development. This is apparent in the current regulations:
- The Stage Play and Public Entertainment Rules 2019
- The Uganda Communications (Film, Documentaries and Commercial Still Photography) Regulations 2019
These regulations, with several others, are drawn from the Stage Plays and Public Entertainment Act cap.49 and the Uganda Communications Act 2013, respectively.
Reference is made to my article, “Performing arts in Uganda need boost, not restriction,” published on 4 Feb 2019, wherein the issue was similar, only this time they were being brought by the Ministry of Gender, Labour and Social Development, which Ministry had no such mandate. In the same article, I mentioned that the appropriate line ministry would be the Ministry of Information since the permit-issuing authority at the time the law was enacted was the Broadcasting Council, which was swallowed up by the Uganda Communications Commission. It never occurred to me that whoever is interested in this faulty legislation would take the hook, line, and sinker approach, bringing the same back under the ICT ministry. In fact, the said legislation is worse: careless, inconsiderate, but mostly ignorant.
Since there is no mandatory requirement for consulting the stakeholders, a total of 18 regulations were laid on the floor of Parliament on the 28th of May 2020 and now have the force of law.
Generally speaking, the Stage Plays and Public Entertainment Act should have no place in a civilized society and should have been repealed after the enactment of the 1995 Constitution. However, I will go ahead to highlight some of the salient problematic features of the Stage Plays and Public Entertainment Rules and some of the regulations drawn from the Uganda Communications Act.
The Stage Play and Public Entertainment Rules 2019
These rules affect musicians, actors, comedians, authors, promoters, venue owners (including hotels, parks, bars, gardens, beaches, etc.), DJs and VJs, record labels, broadcasters, and so on.
Under these rules, one must have a permit to stage a play, a concert, or any form of public entertainment. Failure to have a permit is punishable by a fine or imprisonment for six months or both.
UCC has wide powers to charge fees for the permits, regulate the content of what is to be performed, and, on top of the fees for the permits, the applicant has to pay extra money to facilitate the attendance of a UCC officer. Moreover, the UCC inspector has the power to withdraw the permit even when the concert or play is on-going. Denying a UCC officer entry can lead to imprisonment for a year.
The requirements when applying for a permit may include a certificate of censorship issued by the media council. There is also a compulsory requirement for an English translation of every work.
A person cannot advertise a play or concert using any means without authorization from UCC, and UCC will not grant authorization if one has not been cleared by a local government entity, e.g. KCCA in Kampala.
The Uganda Communications (Film, Documentaries and Commercial Still Photography) Regulations 2019
These regulations affect video production companies big and small, photographers and photo studios, audio-visual content producers, broadcasters, producers, musicians, actors, comedians, authors, promoters, venue owners, DJs and VJs, record labels, bloggers, advertising agencies, etc.
Under these regulations, a person needs a license to produce a film, motion picture, documentary, commercial still photography, and any other content, or to engage in the business of film production. Another license is required to broadcast the same on TV, internet, or any other channel.
A person, while applying for the license, will be required to describe all the scenes of the film or documentary; attach a detailed budget showing how much is to be paid to the actors, technicians and other professionals; and also attach proof of his/her financial capacity. UCC may also require a bank guarantee or bond.
UCC has powers to monitor the content and confiscate the equipment at their discretion. UCC has the power to restrict the production of certain content in public interest or content that has no educational purpose.
A person cannot advertise without authorization from UCC. A permit is also required to have a film, documentary or commercial photography shown in a cinematograph theatre.
Penalties for the offenses under these regulations include imprisonment for one year.
The above regulations are ultra vires, illegal, and unconstitutional. They violate the rights of members of the creative industry to earn from their professions as enshrined in Article 40(2) of the Constitution, and they are beyond what is acceptable and demonstrably justifiable in a free and democratic society.
1) Engage stakeholders to have the draconian regulations repealed.
2) Petition Parliament to recall the regulations and have them repealed.
3) Make online public petitions to the President and Speaker of Parliament to repeal the regulations.
4) Have the regulations challenged in courts of law.
5) Call upon the citizens to rally behind the creative industry fraternity and advocate for proper, inclusive and empowering regulation of the sector for its greater development and the common good.
Mr. Kyagulanyi is a musician, lawyer and the Executive Director of THE COPYRIGHT INSTITUTE OF UGANDA.
This article was originally posted at theafricantheatremagazine.com on July 27, 2020, and has been reposted with permission. To read the original article, click here.
This post was written by the author in their personal capacity.The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators.
This post was written by Sylver Kyagulanyi.
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