Day: October 23, 2020

“It’s OK to be Naked”: An Interview with Tim Norwood

Posted by Konrad Zielinski | 23rd Oct 2020 | Interview, Theatre and Gender, United Kingdom

Tim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled,...

Read More

Raw, Revolutionary, and Painfully Honest: “Insulted. Belarus(sia)”

Posted by Irina Yakubovskaya | 23rd Oct 2020 | Belarus, Documentary Theatre, Interview, Theatre and Politics, Transcultural Collaborations

The new play Insulted. Belarus(sia) was written in September 2020 by Andrei Kureichik, a prominent...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory… by Emiliia Dementsova 12th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026

Recent Posts

A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen 6th July 2026
“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space 6th July 2026
A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest