“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Read MorePosted by Agata Araszkiewicz | 11th Oct 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Read MorePosted by Síofra Ní Shluaghadháin | 10th Oct 2019 | Festivals, Ireland, News, Playwriting, Theatre and Gender
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital its characteristic combination of artistry, controlled chaos and thought-provoking content. The stated theme of Dublin Fringe 25,...
Read MorePosted by Mert Dilek | 10th Oct 2019 | London, Review, United Kingdom
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
Read MorePosted by Maria Delgado | 10th Oct 2019 | Review, Spain, Translation, United Kingdom
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
Read MorePosted by Vikram Phukan | 10th Oct 2019 | India, Review
Theatremaker Sujay Saple and sound artist Mitsuaki Matsumoto’s collaboration is all about...
Read MorePosted by Natasha Lomonossoff | 10th Oct 2019 | Canada, Review, Theatre and Politics
In the context of these politically divisive times, the message of Mark Crawford’s recent play,...
Read MorePosted by Trevor Boffone | 9th Oct 2019 | Musical Theatre, Review, United States of America
Teenagers dealing with sex, suicide, abusive parents, and queer love might not seem like typical...
Read MorePosted by Xunnan Li | 9th Oct 2019 | China, Interview, Theatre and Opera
Interview with Shule Li: A Chinese Director of Pythonland (2016) Shule Li is most recently known...
Read MorePosted by Patrick Langston | 8th Oct 2019 | Canada, Review, Transcultural Collaborations
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
Read MorePosted by Takudzwa Chihambakwe | 8th Oct 2019 | Management, News, Zimbabwe
The construction of performance spaces for creatives in Zimbabwe has been somewhat on the slow...
Read MorePosted by Kai Tuchmann | 8th Oct 2019 | Dramaturgy, Essay, Transmedia
Creativity is mostly regarded as one of the last domains of the human species and it serves as a...
Read MorePosted by John Smythe | 7th Oct 2019 | Review
Distills the Big Themes of Political Intrigue with Insight, Flair, Withering Wit, and a Welcome...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by David O'Donnell | 7th Oct 2019 | Adaptation, New Zealand, Review, Theatre for Young Audiences, Transcultural Collaborations
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Read MorePosted by Yalena Kleidara | 6th Oct 2019 | Adaptation, Greece, Review
“Heroism is to this decision that you make by yourself, to stick to it until the very...
Read MorePosted by Tonderai Chiyindiko | 6th Oct 2019 | LGBTQ+ Theatre, Review, South Africa
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
Read MorePosted by Alexander Mantush | 6th Oct 2019 | Belarus, Europe, Interview
In September 2019 new theatre season starts, promising not only new performances but some new...
Read MorePosted by Christine Deitner | 5th Oct 2019 | Los Angeles, Review, United States of America
If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...
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