Annie Baker’s “The Antipodes” at the National Theatre
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
Read MorePosted by Mert Dilek | 31st Oct 2019 | London, Review, United Kingdom, United States of America
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
Read MorePosted by Emiliia Dementsova | 31st Oct 2019 | Festivals, Germany, Review, Russia, Theatre Olympics 2019
The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...
Read MorePosted by Aleks Sierz | 31st Oct 2019 | London, Review, United Kingdom
Feeling guilty can be a drug. A powerful drug. Okay, it makes you feel bad, but at the same time,...
Read MorePosted by Melanie Walters | 31st Oct 2019 | Australia, Musical Theatre, Review
Review: XXX Neon Sign, composed by Dan Thorpe, Rumpus Theatre. More than perhaps any other...
Read MorePosted by Harikumar J S | 30th Oct 2019 | India, LGBTQ+ Theatre, News
Mazhavil Dhwani which works towards the upliftment of the members of the transgender community in...
Read MorePosted by Alvina Ruprecht | 30th Oct 2019 | Canada, Review, Transcultural Collaborations
Mòshkamo: Finding Wolastoq Voice reveals the founding cosmogony of the East Coast peoples. This...
Read MorePosted by Ariadne Mikou | 30th Oct 2019 | Italy, Review, Theatre and Dance
The Teatro Massimo Βallet (TMB) company is one of the remaining state-subsidized ballet companies...
Read MorePosted by Deepa Ganesh | 29th Oct 2019 | India, Review, Theatre and Art
The Art Experience workshop at Ninasam, tried to grapple with that experience which is...
Read MorePosted by David Vernon | 29th Oct 2019 | Musical Theatre, New York, Review, United States of America
Has Amy Oestreicher finally gotten that which she dreamed of? As a child, like so many other kids...
Read MorePosted by Bryoni Trezise | 29th Oct 2019 | Australia, Review, Theatre and Disability
In 2009 I wrote an email to the artistic director of Back to Back Theatre, Bruce Gladwin, gushing...
Read MorePosted by Aisling Murphy | 28th Oct 2019 | Festivals, Review, Romania, Theatre for Young Audiences
The exposed nerve of a reignited public tragedy hangs in the ether of Teatrul Luceafărul Iaşi. We...
Read MorePosted by Lisa Marie Bowler | 28th Oct 2019 | Dance Umbrella 2019, London, Review, Theatre and Dance, United Kingdom
The opening of the annual Dance Umbrella Festival of international contemporary dance in London...
Read MorePosted by Ranjani Govind | 28th Oct 2019 | India, Review, Theatre and Dance
Contemporary steps and fusion music will cruise through body-energies with Bharatanatya, Kathak,...
Read MorePosted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom
True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...
Read MorePosted by Shiya Lu | 27th Oct 2019 | China, Devised Theatre, Interview, Theatre and Gender
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
Read MorePosted by Rathsaran Sireekan | 27th Oct 2019 | Review, South Korea, Theatre and Gender
The Political Self of Beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read MorePosted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
Read MorePosted by Michael Ka Chi Cheuk | 26th Oct 2019 | China, Directing, Interview, Taiwan
US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...
Read MorePosted by Aleks Sierz | 26th Oct 2019 | London, Playwriting, Review, Theatre and Age, United Kingdom
Wow. Just wow. The moment you enter the auditorium of this venue it’s immediately obvious that...
Read MorePosted by Emiliia Dementsova | 26th Oct 2019 | Festivals, Review, Russia, Theatre Olympics 2019
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
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