Day: October 22, 2019

Danusia Samal’s “Out of Sorts” at the Theatre 503: Deeply Emotional Account of Personal Identity

Posted by Aleks Sierz | 22nd Oct 2019 | London, Review, United Kingdom

One of the delights of London fringe theatre is its ability to nurture new talent. In this respect...

Read More

How to Stage an Opera? Summer Munich Opera Festival as a Role Model

Posted by Antonio Hernández | 22nd Oct 2019 | Germany, Review, Theatre and Opera

Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...

Read More

“1984” at The Actors’ Gang

Posted by Christine Deitner | 22nd Oct 2019 | Los Angeles, Review, United States of America

“He who controls the present controls the past, and he who controls the past controls the...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory… by Emiliia Dementsova 12th May 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026

Recent Posts

A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026
Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians 19th June 2026
Sadness And Mourning Dominate Theater Bremen’s “Hamlet” 16th June 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest