David Greig’s “Solaris” at the Lyric Hammersmith Theatre
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read MorePosted by Mert Dilek | 17th Oct 2019 | Adaptation, London, Review, United Kingdom
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read MorePosted by Jonathan Kalb | 17th Oct 2019 | New York, Review, Theatre and Gender, United States of America
Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that...
Read MorePosted by Natasha Lomonossoff | 16th Oct 2019 | Canada, Review, Theatre and Gender
Following the production of The Boy in the Moon, put on by the 1000 Islands Playhouse in August,...
Read MorePosted by Barbara Gabriel | 16th Oct 2019 | Canada, Review, Transcultural Collaborations
“Is it really important to cling to our lost identities? What is a life lived between two...
Read MorePosted by Wendy Arons | 16th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Lauren Yee’s new play Cambodian Rock Band is one of the most-produced plays in the 2019-20...
Read MorePosted by Alvina Ruprecht | 16th Oct 2019 | Canada, Review
The Shoah has a well defined meaning in contemporary history but clearly, choosing to produce such...
Read MorePosted by Luísa Roubaud | 15th Oct 2019 | Essay, Portugal, Theatre and Dance
You can also read this article in Portuguese. The trajectory of Portuguese dance mirrors the...
Read MorePosted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
Read MorePosted by Wendy Arons | 15th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Do you know where your data is? I sure don’t. But I’ve been thinking about my data – and the...
Read MorePosted by Emilija Kvočka | 15th Oct 2019 | Adaptation, Design, Review, Serbia
The Russian winter sprinkled with the aristocratic splendor of Imperial Moscow and Petersburg in...
Read MorePosted by Gowri S | 14th Oct 2019 | Immersive Theatre, India, Review
I am inside a dark room, saved by a lone light and a single stool. On one side is a curtain, but...
Read MorePosted by Wendy Arons | 14th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Ah, if only we could take a trip back in time, to an era when the surfacing of facts that pointed...
Read MorePosted by James Montaño | 14th Oct 2019 | Boston, Review, Theatre and Politics, United States of America
When Audrey (Katrina Pavao) sings “Somewhere That’s Green” in Lyric Stage Company of Boston’s...
Read MorePosted by Mert Dilek | 13th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
What does it really mean to do political theatre? Does the theatre even hold any potential to...
Read MorePosted by Mark Bly | 13th Oct 2019 | Dramaturgy, News, United States of America
Brian Greene, the theoretical physicist and author of The Elegant Universe, once wrote, “Some...
Read MorePosted by Christine Deitner | 13th Oct 2019 | Los Angeles, Review, United States of America
Founded in 2018, BoomStick Theater has focused its mission statement on providing a platform for...
Read MorePosted by Anuj Kumar | 12th Oct 2019 | India, Playwriting, Review
Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...
Read MorePosted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read MorePosted by Ann Poole | 12th Oct 2019 | Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
Read MorePosted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
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