12 Seconds To The Year Of Theatre
On the eve of 2019’s “Year of Theatre” in Russia, Emiliia Dementsova looks back...
Read MorePosted by Emiliia Dementsova | 22nd Feb 2019 | Essay, Russia, Russian Theatre - Featured
On the eve of 2019’s “Year of Theatre” in Russia, Emiliia Dementsova looks back...
Read MorePosted by Duška Radosavljević | 21st Feb 2019 | London, Review, United Kingdom
Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...
Read MorePosted by Ati Metwaly | 21st Feb 2019 | Egypt, Interview, Management
A unique cultural player, Hamed’s work in the PR and marketing of the arts, helped launch,...
Read MorePosted by Alexander Nderitu | 21st Feb 2019 | Festivals, News, Zimbabwe
One of the first indications of the change in political temperatures was the production of the hilarious stage play ‘Operation Restore Legacy’ which re-imagines the military takeover in Harare that ended one of Africa’s longest and most controversial presidential tenures.
Read MorePosted by Aleks Sierz | 20th Feb 2019 | London, Review, United Kingdom
Gender fluidity should be fun—after all, it’s all about love. And love can take any shape it...
Read MorePosted by Christine H. Tran | 20th Feb 2019 | Canada, Review, Theatre and Politics
“I want to believe,” declared Agent Fox Mulder in the 1998 television pilot for The X-Files. Two...
Read MorePosted by Megan McCormick | 20th Feb 2019 | Boston, Review, Theatre and Opera, United States of America
Beautiful and heart-wrenching and incredibly real, The Scarlet Ibis is a masterpiece of modern...
Read MorePosted by Irina Yakubovskaya | 19th Feb 2019 | Boston, Interview, Transmedia, United States of America
Ayesha Jordan and Justin Hicks have been collaborators for many years. Their work transcends...
Read MorePosted by Maria Pia Pagani | 19th Feb 2019 | Interview, Italy
The recent publication of the volume On Ibsen and Strindberg: The Reversed Telescope (Newcastle...
Read MorePosted by Sébastien Hendrickx and Kristof van Baarle | 18th Feb 2019 | France, Interview, Theatre and Science
What do we humans have in common with wales, mushrooms, bacteria or the internet? We are all...
Read MorePosted by Jane Baldwin | 18th Feb 2019 | Boston, Review, Theatre and Film, United States of America
Manual Cinema has returned to Boston’s ArtsEmerson with their latest work The End Of TV just a...
Read MorePosted by Jinnie Wei | 17th Feb 2019 | China, Musical Theatre, News, Theatre and Opera
Step aside pop stars and idols. A new televised singing contest in China that showcases the vocal...
Read MorePosted by Elke Huybrechts | 17th Feb 2019 | Belgium, Essay, LGBTQ Theatre
Between identity and identitylessness In this article, Elke Huybrechts regards what happened on...
Read MorePosted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
Read MorePosted by Bojana Cvejić | 16th Feb 2019 | Essay, Norway, Theatre and Dance
On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things I’ll begin by...
Read MorePosted by Michael Appler | 16th Feb 2019 | New York, Review, Theatre and Politics, United States of America
“City of No Illusions,” a political comedy that stages the modern refugee crisis inside a funeral home.
Read MorePosted by Romy König | 15th Feb 2019 | Education, Germany, Interview, Theatre for Young Audiences
“Politik im Freien Theater” is a free theatre festival where youngsters address...
Read MorePosted by Aleks Sierz | 15th Feb 2019 | London, Review, United Kingdom
All hail Arthur Miller, chief of London’s modern revivals this year. Which is odd, given that 2019...
Read MorePosted by Walter Byongsok Chon | 14th Feb 2019 | Interview, Playwriting, South Korea
Hansol Jung is a playwright and director from South Korea. Her plays include Wild Goose Dreams (La...
Read MorePosted by Antonio Hernández | 14th Feb 2019 | Adaptation, Review, Spain
Simon Stone is a stage director who began working in Australia and is currently working in Europe. His successful production of Yerma, by Federico García Lorca, was selected by The New York Times theatre critics as one of the best plays in New York in 2018. Medea, a Simon Stone collaboration with the prestigious Ivo Van […]
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