Liu Xiaoyi: Bending Space And Time In The Theatre
As part of the Asian Theatremakers series Liu Xiaoyi and I are arranging for a time and date to...
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Month: January 2019
Shakespeare From Iran, And Other Radical Possibilities At The Kerala Theatre Festival
The festival will showcase a slice of cutting-edge contemporary theatre Water puppets celebrating...
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“Hercules” At Abrons Arts Center
The historic Abrons Arts Center on New York’s Lower East Side is the setting of a dynamic...
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The Patriarchy Won’t Smash Itself: Interview with Kryssi Jeaux Miller, Founder of the Northern Colorado Jousting Troupe Knights of the Tempest
Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...
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Martin Crimp’s “When We Have Sufficiently Tortured Each Other” At The National Theatre
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
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Dancenorth’s “Dust” Is Ambitious Theatre In An Age Of Uncertainty
What kind of world are we leaving for our children? So goes our conversation everywhere these...
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Top Twelve Indian Plays Of 2018
I begin 2019 with the same paragraph I ended 2017 with. Over the last few years, it has become...
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Complexity Abounds In Antaeus Theatre Company’s “The Cripple Of Inishmaan”-Glendale, CA
Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...
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“Where Did We Sit on The Bus?” at City Theatre, Pittsburgh PA
Playwright/poet/performer Brian Quijada has hope for the future. That’s not an easy orientation to...
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“The Unreturning” at The Theatre Royal Stratford East
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...
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Sleuthing With Slingsby
Erich Kästner’s 90-year-old German novella Emil Und Die Detektive (Emil And The Detectives), a...
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Krishna And Kansa Come Alive For 11 Days Every Year In This Odisha Village
Majestically seated on a bedecked elephant, the colorfully attired Bhubaneswar Pradhan, nicknamed...
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“Ripcord”: Disturbingly Outrageous Popular Theatre Where Comedy And Tragedy Intersect
David Lindsay-Abaire in his earlier works was a master of television style sit-coms and Ripcord...
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“After The Fire’s” Wit And Rage Is Incendiary
Kate Croome reviews After The Fire by Matthew MacKenzie, a Punctuate! Theatre and Alberta...
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Ishy Din’s “Approaching Empty” at The Kiln Theatre
Write what you know, says the adage, and that’s exactly what playwright Ishy Din has done with his...
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Joseph Keckler’s “Train With No Midnight
Walking into the lower theatre at HERE for Train With No Midnight you may have thought you were...
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Brian Clowdus: Providing Access Through Outdoor Immersive Storytelling
Brian Clowdus was left burned out and unfulfilled as a hustling actor. On a whim on his way back...
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“Crime And Punishment”: The Crime You’ll Be Glad You Were A Witness To
In a scoop for Tokyo, Theatre Cocoon in Shibuya Ward is set to mark the new year with the world...
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Sin Muros: Why I’m Producing a Latinx Theatre Festival
A lot has happened in the last year—locally in Houston, across the state of Texas, in the United...
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Gabriel Gbadamosi’s “Stop And Search” at The Arcola Theatre
Police stop and search activities—the harassment of young, usually black, men in the streets of...
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